Friday, November 13, 2009

Art as Plunder: The Ancient Origins of Debate about Cultural Property



This book examines the ancient origins of debate about art as cultural property. What happens to art in time of war? Who should own art, and what is its appropriate context? Should the victorious ever allow the defeated to keep their art? These questions were posed by Cicero during his prosecution of a Roman governor of Sicily, Gaius Verres, for extortion. Cicero's published speeches had a very long afterlife, affecting debates about collecting art in the 18th century and reactions to the looting of art by Napoleon. The focus of the book's analysis is theft of art in Greek Sicily, Verres' trial, Roman collectors of art, and the later impact if Cicero's arguments. The book concludes with the British decision after Waterloo to repatriate Napoleon's stolen art to Italy, and an epilogue on the current threats to art looted from archaeological contexts. Margaret M. Miles is an archaeologist and art historian, now Professor of Art History and Classics at the University of California, Irvine. She has held fellowships at the American School of Classical Studies in Athens, the Institute for Advanced Study in Princeton, and the American Academy in Rome. She has excavated at Corinth and Athens, and did architectural fieldwork at Rhamnous in Greece and at Selinunte and Agrigento in Sicily. Her earlier publications include a study of the Temple of Nemesis at Rhamnous (Hesperia, 1989) and a volume in the Agora excavation series on the City Eleusinion, the downtown Athenian branch of the Eleusinian Mysteries (The Athenian Agora, Vol. 31: The City Eleusinion, 1998).

Performance and Cure: Drama and Healing in Ancient Greece and Contemporary America by Karelisa Hartigan



In this fascinating addition to the 'Classical/Interfaces' series, Karelisa Hartigan suggests that drama was regularly performed in the theaters built within or adjacent to the ancient sanctuaries of Asklepios. She argues that a pageant which showed the enactment of the god healing prompted the dream therapy the patient experienced at the sanctuary. Patients who viewed this drama were ready to receive the nightly ministrations of the deity, his attendants and his animals while they slept in the dormitory at the Asklepieion. The book also investigates the importance of the mind-body relationship in the healing process, and concludes by presenting first-hand material based on Hartigan's experience doing Playback Theater for patients at Shands Hospital at the University of Florida.

Karelisa Hartigan is Professor of Classics Emerita, University of Florida. She is the author of 'Muse on Madison Avenue: Classical Myth in Contemporary Advertising' (2002), 'Greek Tragedy on the American Stage' (1995), 'Ambiguity & Self-Deception: The Apollo & Artemis Plays of Euripides' (1991) and 'The Poets and the Cities' (1979).

Epic and History by David Konstan and Kurt A. Raaflaub




With contributions from leading scholars, this is a unique cross-cultural comparison of historical epics across a wide range of cultures and time periods, which presents crucial insights into how history is treated in narrative poetry.
  • The first book to gain new insights into the topic of ‘epic and history’ through in-depth cross-cultural comparisons
  • Covers epic traditions across the globe and across a wide range of time periods
  • Brings together leading specialists in the field, and is edited by two internationally regarded scholars
  • An important reference for scholars and students interested in history and literature across a broad range of disciplines

Heroic epics have existed in many cultures, from antiquity to the modern day, offering an important means by which societies commemorate the past and transmit memories over time. Yet few attempts have been made to compare these epics systematically or to establish a typology of heroic epic. Nor is it always clear to what extent heroic epics reflect history, or what methodologies might be used to retrieve historical information from epics.


Addressing these issues, Epic and History invites comparison across a broad variety of cultures in which traditions of epic – oral and written – existed and continue to exist. It makes a unique and conscious effort to take full advantage of this cross-cultural comparison to enhance our understanding of this important topic, presenting crucial insights into how history is treated in narrative poetry.

Contributors are leading scholars on epic and heroic poetic traditions. They base their analyses on profound knowledge of the wide range of cultures discussed throughout the book, from the ancient Near East and South Asia, the Greco-Roman world, and medieval Europe – from Scandinavia to Spain – to today’s Egypt, Southern Africa, and Central America.

David Konstan is the John Rowe Workman Distinguished Professor of Classics and the Humanistic Tradition at Brown University; he is also a Professor in Comparative Literature, and a member of the Graduate Faculty of Theatre Arts and Performance Studies. He is the author of Roman Comedy (1983); Sexual Symmetry (1994); Greek Comedy and Ideology (1995); Friendship in the Classical World (1997); Pity Transformed (2001); The Emotions of the Ancient Greeks (2006); Terms for Eternity: Aiônios and aïdios in Classical and Christian Texts, (with Ilaria Ramelli, 2007); and A Life Worthy of the Gods: The Materialist Psychology of Epicurus (2008).

Kurt A. Raaflaub is David Herlihy University Professor, and Professor of Classics and History at Brown University. His numerous publications include The Discovery of Freedom in Ancient Greece(2004) and Origins of Democracy in Ancient Greece (2007, co-authored with Josiah Ober and Robert Wallace). He is also the editor of Social Struggles in Archaic Rome (Blackwell, 2005), andWar and Peace in the Ancient World (Blackwell, 2007), and co-editor of Democracy, Empire, and the Arts in Fifth-Century Athens (1998), War and Society in the Ancient and Medieval Worlds(1999), A Companion to Archaic Greece (Wiley-Blackwell, 2009), and Geography and Ethnography: Perspectives of the World in Premodern Societies (Wiley-Blackwell, 2010).

Rome and China: Comparative Perspectives on Ancient World Empires by Walter Scheidel



Two thousand years ago, up to one-half of the human species was contained within two political systems, the Roman empire in western Eurasia (centered on the Mediterranean Sea) and the Han empire in eastern Eurasia (centered on the great North China Plain). Both empires were broadly comparable in terms of size and population, and even largely coextensive in chronological terms (221 BCE to 220 CE for the Qin/Han empire, c. 200 BCE to 395 CE for the unified Roman empire). At the most basic level of resolution, the circumstances of their creation are not very different. In the East, the Shang and Western Zhou periods created a shared cultural framework for the Warring States, with the gradual consolidation of numerous small polities into a handful of large kingdoms which were finally united by the westernmost marcher state of Qin. In the Mediterranean, we can observe comparable political fragmentation and gradual expansion of a unifying civilization, Greek in this case, followed by the gradual formation of a handful of major warring states (the Hellenistic kingdoms in the east, Rome-Italy, Syracuse and Carthage in the west), and likewise eventual unification by the westernmost marcher state, the Roman-led Italian confederation. Subsequent destabilization occurred again in strikingly similar ways: both empires came to be divided into two halves, one that contained the original core but was more exposed to the main barbarian periphery (the west in the Roman case, the north in China), and a traditionalist half in the east (Rome) and south (China).
These processes of initial convergence and subsequent divergence in Eurasian state formation have never been the object of systematic comparative analysis. This volume, which brings together experts in the history of the ancient Mediterranean and early China, makes a first step in this direction, by presenting a series of comparative case studies on clearly defined aspects of state formation in early eastern and western Eurasia, focusing on the process of initial developmental convergence. It includes a general introduction that makes the case for a comparative approach; a broad sketch of the character of state formation in western and eastern Eurasia during the final millennium of antiquity; and six thematically connected case studies of particularly salient aspects of this process.

Colour and Meaning in Ancient Rome by Mark Bradley



The study of colour has become familiar territory in recent anthropology, linguistics, art history and archaeology. Classicists, however, have traditionally subordinated the study of colour to form. By drawing together evidence from contemporary philosophers, elegists, epic writers, historians and satirists, Mark Bradley reinstates colour as an essential informative unit for the classification and evaluation of the Roman world. He also demonstrates that the questions of what colour was and how it functioned - as well as how it could be misused and misunderstood - were topics of intellectual debate in early imperial Rome. Suggesting strategies for interpreting Roman expressions of colour in Latin texts, Dr Bradley offers new approaches to understanding the relationship between perception and knowledge in Roman elite thought. In doing so, he highlights the fundamental role that colour performed in the realms of communication and information, and its intellectual contribution to contemporary discussions of society, politics and morality.

Explores how ancient Romans categorised, organised and described colours, and outlines the principal differences and similarities between ancient and modern concepts of colour. By drawing together evidence from contemporary philosophers, elegists, epic writers, historians and satirists, Bradley explores the definition and function of colour in Rome during the early Empire.

Ethnicity and Foreigners in Ancient Greece and China by Hyun Kim



Why did the Greeks claim to be superior to their neighbors and yet record, rightly or wrongly, that the founders of some of their most important cities were foreigners from the Near East? Can we find similar ethnocentric representations of outsiders in the literature of the other great literate civilization of the Ancient World, Early China? How do the Greek and Chinese representations of the foreigner differ?

These questions are examined in a comparative analysis of Archaic/Classical Greek and Early Chinese historical and ethnographic sources, in particular the 'Histories' of Herodotus and the 'Shiji' of Sima Qian. The author argues that Greece was an integral part of the wider Eastern Mediterranean and Near Eastern civilization and that this had a major impact on the ways in which the Greeks chose to represent foreigners in their literature. He also shows that the Ancient Chinese of the Han dynasty were as assertive as the Greeks in claiming their ethnic superiority over non-Chinese, but concludes that, although the two cultures shared the same breadth and variety of prejudices towards outsiders, they chose to emphasize different categories of differentiation.


Hyun Jin Kim took his DPhil at Oxford and is now University of Sydney Postdoctoral Research Fellow in the Department of Classics and Ancient History.

Roman Iberia: Economy, Society and Culture by Benedict Lowe



This is the first book to examine the economic impact of external cultures - the Phoenicians, Greeks and Romans - upon the Iberian peninsula throughout the first millennium BC. Benedict Lowe provides a synthesis of recent archaeological work to place Spain in the broader context of debates about Romanisation during the Republic and Early Imperial period. He adopts a chronological approach, focusing on the processes of integration and regionalism in the economy of the Iberian peninsula.

The book begins with an introduction to the kingdom of Tartessos and the impact of the Phoenician and Greek colonists upon the economy of the peninsula, setting the scene for Rome's conquest. Succeeding chapters explore the growing Roman presence, culminating in the 1st century AD.

Combining literary and archaeological evidence, Roman Iberia provides an in-depth analysis of the Romanisation of Iberia in economic terms: villas, urbanism, pottery and trade and the interaction of Roman and native populations.


Benedict Lowe is Associate Professor of History, Western Oregon University.

The Essentials of Greek and Roman Law by Russ VerSteeg



Countless books detail the development of Roman law and explain the laws of the ancient Romans. Similarly, many scholars have traced the law of ancient Athens. Written for both students and educated lay readers, the chapters dealing with ancient Greece focus primarily on the law of ancient Athens in the 5th and 4th centuries B.C.E.

But material relating to other Greek colonies and city states also plays a significant role in the development of ancient Greek law. The Roman law chapters explore both law and legal institutions and emphasize the growth and expansion of legal principles. Roman law still serves as the foundation for the civil laws of many nations today. And given the importance of globalization, Roman law is likely to continue to influence the modern word for the foreseeable future.

Russ VerSteeg is a professor of law at the New England School of Law and a former teacher of classics.

A Companion to Roman Rhetoric by William Dominik and Jon hall




In this authoritative Companion of specially commissioned studies, 31 scholars from nine countries have combined to produce a survey of Roman rhetoric that explores its wide-ranging cultural importance. The contributors include not only internationally recognized figures with established reputations in the field of Roman rhetoric but also emerging scholars with fresh perspectives on the discipline. Among the topics covered by A Companion to Roman Rhetoric are the evolution of Roman rhetoric from its origins to the Renaissance; rhetoricrsquo;s role in the education and acculturation of the elite; the seminal importance of rhetoric in statesmanship and politics; the relationship between rhetoric and social identity; the philosophical and theoretical underpinnings of rhetoric; the dynamics of oratorical performance; and rhetoricrsquo;s interaction with the major genres and figures of Roman literature. --This text refers to the Hardcover edition.
This authoritative Companion of specially commissioned studies, 31 scholars from nine countries have combined to produce a survey of Roman rhetoric that explores its wide-ranging cultural importance. The contributors include not only internationally recognized figures with established reputations in the field of Roman rhetoric but also emerging scholars with fresh perspectives on the discipline.

Among the topics covered by A Companion to Roman Rhetoric are the evolution of Roman rhetoric from its origins to the Renaissance; rhetoric’s role in education and acculturation; the seminal importance of rhetoric in statesmanship and politics; the relationship between rhetoric and social identity; the philosophical and theoretical underpinnings of rhetoric; the dynamics of rhetoric performance; and rhetoric’s interaction with the major genres and figures of Roman literature.

This Companion will be valuable to a wide readership including undergraduates, graduate students, and scholars in Roman culture, as well as scholars in adjacent disciplines seeking an accessible introduction to Roman rhetoric. All Greek and Latin passages are translated. The volume complements A Companion to Greek Rhetoric published in the Blackwell Companions to the Ancient World series.
William Dominik is Professor of Classics at the University of Otago. He is a contributor to A Companion to Ancient Epic (2005) and A Companion to the Classical Tradition (2006). He has also published numerous books, chapters, and articles on Roman literature and other topics.

Jon Hall is Senior Lecturer in Classics at the University of Otago. He is the author of numerous articles and chapters on Cicero’s oratory and rhetorical treatises. He has also completed a book on Cicero’s correspondence.

The Deaths of Seneca by James Ker




The forced suicide of Seneca, former adviser to Nero, is one of the most tortured -- and most revisited -- death scenes from classical antiquity. After fruitlessly opening his veins and drinking hemlock, Seneca finally succumbed to death in a stifling steam bath, while his wife Paulina, who had attempted suicide as well, was bandaged up and revived by Nero's men. From the first century to the present day, writers and artists have retold this scene in order to rehearse and revise Seneca's image and writings, and to scrutinize the event of human death.

In The Deaths of Seneca, James Ker offers the first comprehensive cultural history of Seneca's death scene, situating it in the Roman imagination and tracing its many subsequent interpretations. Ker shows first how the earliest accounts of the death scene by Tacitus and others were shaped by conventions of Greco-Roman exitus-description and Julio-Claudian dynastic history. At the book's center is an exploration of Seneca's own prolific writings about death -- whether anticipating death in his letters, dramatizing it in the tragedies, or offering therapy for loss in the form of consolations -- which offered the primary lens through which Seneca's contemporaries would view the author's death. These ancient approaches set the stage for prolific receptions, and Ker traces how the death scene was retold in both literary and visual versions, from St. Jerome to Heiner Muller and from medieval illuminations to Peter Paul Rubens and Jacques-Louis David. Dozens of interpreters, engaging with prior versions and with Seneca's writings, forged new and sometimes controversial views on Seneca's legacy and, more broadly, on mortality and suicide. The Deaths of Seneca presents a new, historically inclusive, approach to reading this major Roman author.

Saturday, October 24, 2009

Thucydides: The Reinvention of History



The grandeur and power of Thucydides' The Peloponnesian War have enthralled readers, historians, and statesmen alike for two and a half millennia, and the work and its author have had an enduring influence on those who think about international relations and war, especially in our own time. In Thucydides, Donald Kagan, one of our foremost classics scholars, illuminates the great historian and his work both by examining him in the context of his time and by considering him as a revisionist historian.

Thucydides took a spectacular leap into modernity by refusing to seek explanations for human behavior in the will of the gods, or even in the will of individuals, looking instead at the behavior of men in society. In this context, Kagan explains how The Peloponnesian War differs significantly from other accounts offered by Thucydides' contemporaries and stands as the first modern work of political history, dramatically influencing the manner in which history has been conceptualized ever since.

About the Author

Donald Kagan, Sterling Professor of Classics and History at Yale University, is an authority on ancient Greek history and culture and a scholar of diplomatic history. He is the author of many books on ancient and military history and the coeditor of two bestselling textbooks on world history and Western civilization.

The Poison King: The Life and Legend of Mithradates, Rome's Deadliest Enemy



Machiavelli praised his military genius. European royalty sought out his secret elixir against poison. His life inspired Mozart's first opera, while for centuries poets and playwrights recited bloody, romantic tales of his victories, defeats, intrigues, concubines, and mysterious death. But until now no modern historian has recounted the full story of Mithradates, the ruthless king and visionary rebel who challenged the power of Rome in the first century BC. In this richly illustrated book--the first biography of Mithradates in fifty years--Adrienne Mayor combines a storyteller's gifts with the most recent archaeological and scientific discoveries to tell the tale of Mithradates as it has never been told before.

The Poison King describes a life brimming with spectacle and excitement. Claiming Alexander the Great and Darius of Persia as ancestors, Mithradates inherited a wealthy Black Sea kingdom at age fourteen after his mother poisoned his father. He fled into exile and returned in triumph to become a ruler of superb intelligence and fierce ambition. Hailed as a savior by his followers and feared as a second Hannibal by his enemies, he envisioned a grand Eastern empire to rival Rome. After massacring eighty thousand Roman citizens in 88 BC, he seized Greece and modern-day Turkey. Fighting some of the most spectacular battles in ancient history, he dragged Rome into a long round of wars and threatened to invade Italy itself. His uncanny ability to elude capture and surge back after devastating losses unnerved the Romans, while his mastery of poisons allowed him to foil assassination attempts and eliminate rivals.

The Poison King is a gripping account of one of Rome's most relentless but least understood foes.


The Gothic War



A period of stability in the early sixth century AD gave the Eastern Roman emperor Justinian an opportunity to recapture parts of the Western Empire that had been lost to invading barbarians in the preceding centuries. It was an ambitious plan to attack such a vast territory with relatively few soldiers and resources. Yet Justinian's army succeeded in checking the Persians in the East and in retaking North Africa from the Vandals and Italy from the Ostrogoths, the strongest and most organized Barbarian tribe in the West. The climactic conflict over Italy between 535 and 554--the Gothic War--decided the political future of Europe, holding in its balance the possibility that the Roman Empire might rise again. While large portions of the original territory of the ancient Roman Empire were recaptured, the Eastern Empire was both unwilling and incapable of retaining much of its hard-won advances, and soon the empire once again retracted. As a result of the Gothic War, Italy was invaded by the Lombards, who began their important kingdom, the Franks began transforming Gaul into France, and without any major force remaining in North Africa, that territory was quickly overrun by the first wave of Muslim expansion in the ensuing century.

Written as a general overview of this critical period, The Gothic War opens with a history of the conflict with Persia and the great Roman general Belisarius's successful conquest of the Vandals in North Africa. After an account of the Ostrogothic tribe and their history, the campaigns of the long war for Italy are described in detail, including the three sieges of Rome, which turned the great city from a bustling metropolis into a desolate ruin. In addition to Belisarius, the Gothic War featured many of history's most colorful antagonists, including Rome's Narses the Eunuch, and the Goths' ruthless and brilliant tactician, Totila. Two appendices provide information about the armies of the Romans and Ostrogoths, including their organization, weapons, and tactics, all of which changed over the course of the war.

The Inheritance of Rome: Illuminating the Dark Ages, 400-1000



Prizewinning historian Chris Wickham defies the conventional view of the Dark Ages in European history with a work of remarkable scope and rigorous yet accessible scholarship. Drawing on a wealth of new material and featuring a thoughtful synthesis of historical and archaeological approaches, Wickham argues that these centuries were critical in the formulation of European identity. Far from being a middle period between more significant epochs, this age has much to tell us in its own right about the progress of culture and the development of political thought.

Sweeping in its breadth, Wickham's incisive history focuses on a world still profoundly shaped by Rome, which encompassed the remarkable Byzantine, Carolingian, and Ottonian empires, and peoples ranging from Goths, Franks, and Vandals to Arabs, Anglo- Saxons, and Vikings. Digging deep into each culture, Wickham constructs a vivid portrait of a vast and varied world stretching from Ireland to Constantinople, the Baltic to the Mediterranean. The Inheritance of Rome brilliantly presents a fresh understanding of the crucible in which Europe would ultimately be created.

About the Author

Chris Wickham is Chichele Professor of Medieval History at the University of Oxford and a Fellow of All Souls College. His book Framing the Middle Ages won the Wolfson Prize, the Deutscher Memorial Prize, and the James Henry Breasted Prize of the American Historical Association.

The End of Empire: Attila the Hun and the Fall of Rome




A bold new account of Attila the Hun as empire builder and political threat to Rome.
Conjuring up images of savagery and ferocity, Attila the Hun has become a byword for barbarianism. But, as the Romans of the fifth century knew, Attila did more than just terrorize villages on the edge of an empire.

Drawing on original texts, this riveting narrative follows Attila and the Huns from the steppes of Kazakhstan to the opulent city of Constantinople and the Great Hungarian Plain, uncovering an unlikely marriage proposal, a long-standing relationship with a treacherously ambitious Roman general, and a thwarted Roman assassination plot. Attila the Hun and the Fall of Rome reframes the warrior king as a political strategist, capturing the story of how a small, but dedicated, opponent dealt a seemingly invincible empire defeats from which it would never recover.

3 maps; 40 illustrations.

428 AD: An Ordinary Year at the End of the Roman Empire




This is a sweeping tour of the Mediterranean world from the Atlantic to Persia during the last half-century of the Roman Empire. By focusing on a single year not overshadowed by an epochal event,428 AD provides a truly fresh look at a civilization in the midst of enormous change--as Christianity takes hold in rural areas across the empire, as western Roman provinces fall away from those in the Byzantine east, and as power shifts from Rome to Constantinople. Retracing the kind of route a contemporary gazetteer might have taken, Giusto Traina describes the empire's people, places, and events in all their simultaneous richness and variety. The result is an original snapshot of a fraying Roman world on the edge of the medieval era.

Readers meet many important figures, including the Roman general Flavius Dionysius as he encounters a delegation from Persia after the Sassanids annex Armenia; the Christian ascetic Simeon Stylites as he stands and preaches atop his column near Antioch; the eastern Roman emperor Theodosius II as he prepares to commission his legal code; and Genseric as he is elected king of the Vandals and begins to turn his people into a formidable power. We are also introduced to Pulcheria, the powerful sister of Theodosius, and Galla Placidia, the queen mother of the western empire, as well as Augustine, Pope Celestine I, and nine-year-old Roman emperor Valentinian III.

Full of telling details, 428 AD illustrates the uneven march of history. As the west unravels, the east remains intact. As Christianity spreads, pagan ideas and schools persist. And, despite the presence of the forces that will eventually tear the classical world apart, Rome remains at the center, exerting a powerful unifying force over disparate peoples stretched across the Mediterranean.

Lords of the Sea: The Epic Story of the Athenian Navy and the Birth of Democracy




I see John Hale has published a book about the naval power of ancient Greece. John has also lectured on ancient Greece and Rome for The Teaching Company and I found his lectures absolutely engrossing! I thoroughly enjoyed Greece and Rome: An Integrated History of the Ancient Mediterranean as well as Classical Archaeology of Ancient Greece and Rome.

The navy created by the people of Athens in ancient Greece was one of the finest fighting forces in the history of the world and the model for all other national navies to come. The Athenian navy built a civilization, empowered the world's first democracy, and led a band of ordinary citizens on a voyage of discovery that altered the course of history. Its defeat of the Persian fleet at Salamis in 480 BCE launched the Athenian Golden Age and preserved Greek freedom and culture for centuries. With Lords of the Sea, renowned archaeologist John Hale presents, for the first time, the definitive history of the epic battles, the indomitable ships, and the men-from extraordinary leaders to seductive rogues-who established Athens's supremacy. With a scholar's insight and a storyteller's flair, Hale takes us on an illustrated tour of the heroes and their turbulent careers and far-flung expeditions and brings back to light a forgotten maritime empire and its majestic legacy.

About the Author

John R. Hale studied at Yale and Cambridge before embarking on an archaeological career that includes extensive underwater searches for ancient warships. He has written for Antiquity, Journal of Roman Archaeology, and Scientific American and has been profiled by NPR and The New York Times. He has also been featured in documentaries broadcast by The Discovery Channel and The History Channel. He is currently the director of liberal studies at the University of Louisville.

Hadrian and the Triumph of Rome



Acclaimed author Anthony Everitt, whose Augustus was praised by the Philadelphia Inquirer as “a narrative of sustained drama and skillful analysis,” is the rare writer whose work both informs and enthralls. In Hadrian and the Triumph of Rome–the first major account of the emperor in nearly a century–Everitt presents a compelling, richly researched biography of the man whom he calls arguably “the most successful of Rome’s rulers.”

Born in A.D. 76, Hadrian lived through and ruled during a tempestuous era, a time when the Colosseum was opened to the public and Pompeii was buried under a mountain of lava and ash. Everitt vividly recounts Hadrian’s thrilling life, in which the emperor brings a century of disorder and costly warfare to a peaceful conclusion while demonstrating how a monarchy can be compatible with good governance. Hadrian was brave and astute–despite his sometimes prickly demeanor–as well as an accomplished huntsman, poet, and student of philosophy.

What distinguished Hadrian’s rule, according to Everitt, were two insights that inevitably ensured the empire’s long and prosperous future: He ended Rome’s territorial expansion, which had become strategically and economically untenable, by fortifying her boundaries (the many famed Walls of Hadrian), and he effectively “Hellenized” Rome by anointing Athens the empire’s cultural center, thereby making Greek learning and art vastly more prominent in Roman life.

With unprecedented detail, Everitt illuminates Hadrian’s private life, including his marriage to Sabina–a loveless, frequently unhappy bond that bore no heirs–and his enduring yet doomed relationship with the true love of his life, Antinous, a beautiful young Bithynian man. Everitt also covers Hadrian’s war against the Jews, which planted the seeds of present-day discord in the Middle East.

Despite his tremendous legacy–including a virtual “marble biography” of still-standing structures–Hadrian is considered one of Rome’s more enigmatic emperors. But making splendid use of recently discovered archaeological materials and his own exhaustive research, Everitt sheds new light on one of the most important figures of the ancient world.

Lost to the West: The Forgotten Byzantine Empire That Rescued Western Civilization




In AD 476 the Roman Empire fell–or rather, its western half did. Its eastern half, which would come to be known as the Byzantine Empire, would endure and often flourish for another eleven centuries. Though its capital would move to Constantinople, its citizens referred to themselves as Roman for the entire duration of the empire’s existence. Indeed, so did its neighbors, allies, and enemies: When the Turkish Sultan Mehmet II conquered Constantinople in 1453, he took the title Caesar of Rome, placing himself in a direct line that led back to Augustus.

For far too many otherwise historically savvy people today, the story of the Byzantine civilization is something of a void. Yet for more than a millennium, Byzantium reigned as the glittering seat of Christian civilization. When Europe fell into the Dark Ages, Byzantium held fast against Muslim expansion, keeping Christianity alive. When literacy all but vanished in the West, Byzantium made primary education available to both sexes. Students debated the merits of Plato and Aristotle and commonly committed the entirety of Homer’s Iliad to memory. Streams of wealth flowed into Constantinople, making possible unprecedented wonders of art and architecture, from fabulous jeweled mosaics and other iconography to the great church known as the Hagia Sophia that was a vision of heaven on earth. The dome of the Great Palace stood nearly two hundred feet high and stretched over four acres, and the city’s population was more than twenty times that of London’s.

From Constantine, who founded his eponymous city in the year 330, to Constantine XI, who valiantly fought the empire’s final battle more than a thousand years later, the emperors who ruled Byzantium enacted a saga of political intrigue and conquest as astonishing as anything in recorded history. Lost to the West is replete with stories of assassination, mass mutilation and execution, sexual scheming, ruthless grasping for power, and clashing armies that soaked battlefields with the blood of slain warriors numbering in the tens of thousands.

Still, it was Byzantium that preserved for us today the great gifts of the classical world. Of the 55,000 ancient Greek texts in existence today, some 40,000 were transmitted to us by Byzantine scribes. And it was the Byzantine Empire that shielded Western Europe from invasion until it was ready to take its own place at the center of the world stage. Filled with unforgettable stories of emperors, generals, and religious patriarchs, as well as fascinating glimpses into the life of the ordinary citizen, Lost to the West reveals how much we owe to this empire that was the equal of any in its achievements, appetites, and enduring legacy.

The Grand Strategy of the Byzantine Empire



Edward Luttwak presents the grand strategy of the eastern Roman empire we know as Byzantine, which lasted more than twice as long as the more familiar western Roman empire, eight hundred years by the shortest definition. This extraordinary endurance is all the more remarkable because the Byzantine empire was favored neither by geography nor by military preponderance. Yet it was the western empire that dissolved during the fifth century. The Byzantine empire so greatly outlasted its western counterpart because its rulers were able to adapt strategically to diminished circumstances, by devising new ways of coping with successive enemies. It relied less on military strength and more on persuasion—to recruit allies, dissuade threatening neighbors, and manipulate potential enemies into attacking one another instead. Even when the Byzantines fought—which they often did with great skill—they were less inclined to destroy their enemies than to contain them, for they were aware that today’s enemies could be tomorrow’s allies. Born in the fifth century when the formidable threat of Attila’s Huns were deflected with a minimum of force, Byzantine strategy continued to be refined over the centuries, incidentally leaving for us several fascinating guidebooks to statecraft and war.

The Grand Strategy of the Byzantine Empire is a broad, interpretive account of Byzantine strategy, intelligence, and diplomacy over the course of eight centuries that will appeal to scholars, classicists, military history buffs, and professional soldiers.


Sunday, May 03, 2009

Goldsworthy interview: How Rome Fell: Death of a Superpower



New Books in History interviewed author Adrian Goldsworthy about his new book, "How Rome Fell: Death of a Superpower. Goldsworthy essentially said that analysts have been so busy sifting through the minutia of Late Antiquity to formulate yet another theory (according to Goldsworthy there are already 210) that they have overlooked the obvious.

"The late Roman Empire was ill, but it was hardly on its death bed in the third and fourth centuries. Moreover, even at its weakest moments, the Empire was hugely more powerful than any of its competitors. In order to understand how the Romans managed to pull defeat out of the jaws of victory (or at least survival) Goldsworthy says we need to look at Roman politics, or what I would call Roman “political culture.” In Goldsworthy’s telling, the Roman political elite forgot what the empire was for, that is, to serve the interests of the Romans (the “Res publica”). Instead, up-and-coming Roman leaders were primarily interested in making it to the top and staying there. That meant staying alive, and since many failed do so for very long, long-term political instability ensued." - More: New Books In History

Goldsworthy expresses his opinion that a tendency for emperors to ignore the Senate and turn to the far more numerous equestrian order for bureaucratic and military leadership positions, especially after the assassination of the Emperor Caracalla, meant an increase in potential competitors for the job of emperor. This highly competitive environment, a sharp contrast from the dynastic successions of the earlier Empire, bred civil wars that eventually fatally weakened the empire from within.

He made an interesting point that if you examine the social structure and behaviors of the German "barbarians" in the 4th century CE, that you really don't see that much difference with the behaviors of their ancestors in the 1st century BCE. He said that the Germans, like their Persian counterparts in the East, were not successful against the Romans until Roman troops were drawn away into civil wars.

Goldsworthy also doesn't see much parallel between the decline of the Roman Empire and the modern trajectory of the United States. He points out that the context of the two civilizations is totally different.

The hour long podcast is well worth a listen!

Goldsworthy says his next book will be a followup to his biography of Julius Caesar - an examination of the lives and motivations of Antony and Cleopatra. He said it should be available by the end of the year. It will be interesting to compare his analysis with the personifications in Colleen McCullough's Antony and Cleopatra: A Novel (Masters of Rome)
that I liked very much!

Wednesday, April 22, 2009

Review: Agincourt by Bernard Cornwell




Peering from his hiding place in a corpse-strewn alley of 15th century Soissons, young Nicholas Hook watched in horror as his fellow English archers, surrendered by a treacherous nobleman for a pouch of coins then disarmed, are set upon by their French captors. First, their bow fingers are sliced off, something Hook had heard stories about in the short time he had spent with his company. But then they were grabbed by the hair, their heads wrenched back, and their eyes gouged from their sockets. Still the Frenchmen’s bloodlust was not sated. Drawing their daggers, the French men-at-arms castrated the screaming, blinded men and left them to bleed to death, writhing on the cobblestones of the square in front of the little church where they had sought refuge.

This scene (I have condensed it) reflects the sheer brutality of warfare during the Hundred Years War. I have read many books in which conquering armies sack cities but I have never experienced the savagery as explicitly as I did reading Cornwell’s description of the fall of Soissons in 1415.

There, men not only hacked each other to pieces with poleax, mace, and sword, but the victors used their own bodies to violate and rend dazed women and hollow-eyed children. Even priests and nuns were raped or disemboweled. The shockwaves of this massacre of mostly French citizens by French soldiers rocked all of Christendom. In fact, this transgression was pointed to as the reason the French were so resoundingly defeated at Agincourt a year later, October 25, 1415, on the feast day of St. Crispin and St. Crispian, the patron saints of the town of Soissons.

Nicholas Hook escapes the carnage, along with a young novice, Melisande, the bastard daughter of a wealthy French nobleman. The couple flee to Calais where Nicholas relates all he has seen to the English commander there. As one of the few survivors of the butchery at Soissons, Nicholas is then summoned to London to repeat his story to King Henry V. Afterwards, the king assigns him to the company of Sir John Cornewaille (sometimes spelled Cornwall).

Sir John Cornewaille was born in 1364 to a noble family. His father, also Sir John Cornewaille, had been in service to the Duke of Brittany. His mother was, purportedly, the niece of the Duke. Sir John (the younger) served Richard II in Scotland. Then, he fought for the Duke of Lancaster in Brittany and, later, King Henry IV. Sir John was made a Knight of The Garter in 1410 for his numerous acts of courage on the battlefield. King Henry IV even gave him Elizabeth Plantagenet, the Duchess of Exeter, daughter of the third surviving son of King Edward III , in marriage.

But, although he was a celebrated tournament champion as well as decorated soldier, Sir John was not the romanticized warrior that people often think of when the subject of knights and chivalry arise. His training speech, as related by Cornwell, would make a U.S. Marine drill sergeant proud:

“ …you rip their bellies open, shove blades in their eyes, slice their throats, cut off their bollocks, drive swords up their arses, tear out their gullets, gouge their livers, skewer their kidneys, I don’t care how you do it, so long as you kill them!”

Now English archers were lethal and Nicholas Hook was an exceptional archer. Hook could punch a fletched shaft through the throat of a crossbowman at a distance considered out-of-range by the average archer. But Sir John taught him to kill with poleax and dagger as well. As it turned out he would need all of these skills to survive the killing fields of Agincourt.

But first, Hook had to endure the withering siege of Harfleur, a small port on the coast of Normandy. There, Henry V’s army not only faced a defiant French garrison supported by determined townsfolk, but, as the siege dragged on and on, devastating disease and dysentery.

Again Cornwell’s gritty narrative engulfs you in the grinding depravations of the victims of the besieged town as well as the squalid existence of the archers and men-at-arms clamoring outside the crumbling walls.

Cornwell also introduces us to a quintessential villain, not a menacing Frenchman, but a stringy-haired English priest who uses his office to force himself on women and now casts a lecherous eye on Melisande. Each time this priest appeared, I would picture the balding priest with bulging, lascivious eyes who is groping a cackling, bulbous-breasted prostitute in the History Channel series, “The History of Sex”. This character was so well drawn, like all of Cornwell’s characters, that he actually made my skin crawl.

Of course the climax of the novel is the battle of Agincourt. The battle itself lasted for about three hours and Cornwell’s account of the slaughter that occurred in those three hours left me as emotionally drained as those unarmored archers who, after exhausting their supply of bodkins, struggled in the knee deep mud of that sodden wheat field to fight off French knights wielding shortened lances and spiked maces.

I had always heard that the English won the battle of Agincourt because of their archers with their famous long bows. But, actually, the archers depleted their arrow supply on the first French battle charge. The second wave was repulsed in hand to hand fighting along the entire English line, with archers discarding their bows and resorting to secondary weapons like poleaxes and mallets.

I must confess, now, although I have seen probably all of the Sharpe’s Rifles television series and have over a dozen of Bernard Cornwell’s books in my “to be read” stack, Agincourt: A Novel
is the first book by Cornwell that I have actually read. I have read hundreds of other novels featuring accounts of many of the ancient world’s most famous battles - some, like Cannae, with much higher death tolls than Agincourt. But I have never read a fictionalized account of battle more immersive than the struggle described by Cornwell in this novel.

For interesting videos about the story behind the book, check out my earlier post.

Friday, April 03, 2009

Review: The Forgotten Legion by Ben Kane



James Rollins, author of “The Last Oracle” exclaims, “What Wilbur Smith did for Egypt, Kane does for Rome!”. I’ve only read two of Wilbur Smith’s novels, “The Seventh Scroll” and “River God” but the narrative style of these two novels is quite similar to the storytelling technique used by Ben Kane in this first of a projected series of novels featuring heroes developed in this work.

Kane introduces each character in their own unique context within the boundaries of the Late Roman Republic. We first meet Tarquinius, one of the last of the Etruscan haruspices (soothsayers), raised as a poor freedman on a large latifundia owned by a politically ambitious patron with ties to the richest man in Rome at the time, Marcus Licinius Crassus. Warned by his tutor to escape to the east where he will find his destiny, Tarquinius abandons his home and joins the forces of Lucullus fighting Mithradates in Asia Minor.

Next we meet Brennus, a towering Gallic warrior whose people are crushed by the legions of Julius Caesar. The only survivor of his village, he is taken in chains to Rome where he is sold to the largest gladiatorial school in the capital.

Then we meet the twin brother and sister slaves, Romulus and Fabiola, the spawn of Julius Caesar and a slave girl he ravaged on the streets of Rome when coming home from an evening of revelry with his friends. The twins’ cruel owner, a less-than-profitable merchant in debt to the greedy Crassus, sells the 14-year-old twins, sending Romulus to the gladiator school and Fabiola to the Lupanar – the most prestigious brothel in Rome.

Romulus has fortunately received some earlier training with a sword from his former owner’s steward and is taken under the wing of the brawny Brennus. Fabiola, of course irresistibly beautiful, is tutored by the madame and fellow prostitutes at the Lupanar and becomes the most sought after “companion” in the establishment as well as the regular lover of Caesar’s lieutenant Decimus Brutus.

Romulus swears one day to free his sister and take revenge on his former owner who sold their worn out mother to the salt mines, ensuring her death.

At this point I’m sure you’re thinking this is beginning to sound like a melodramatic made-for-television movie and I would probably agree with that assessment.

Brennus and Romulus sneak out of the gladiator school for an evening’s entertainment and are implicated in the death of a Roman nobleman who just happens to be the hated former patron of Tarquinius. To escape crucifixion, the two flee south where they hear Crassus is assembling an army to invade Parthia. In Brundisium, they meet Tarquinius and our ensemble cast is finally ready to get into some serious trouble in the deserts of Syria where Crassus will meet his inevitable fate at the battle of Carrhae, the climax of this first installment.

Kane obviously knows the rudimentary history of the late Roman Republic and its key players and his characters have some depth. I like the way he interjects the occasional Latin term into the narrative in a context that clearly reveals its meaning without delivering a specific definition. This is the natural way that people learn another language and his use of the technique is appreciated.

However, some background details of Roman culture and some of the scenarios developed in his narrative were grating to me because of my previous studies. As an admirer of Julius Caesar and someone who has read a number of biographies about him, I could not swallow the premise that Caesar would demean himself in public by raping a passing slave girl. First of all, Caesar was abstemious in his dining and drinking habits and meticulous about his personal hygiene so was not the type to participate in public drunken revelries – even as a young man. Second, Caesar prided himself on being a sought after lover. His sexual appetites were well satisfied by his numerous paramours with other men’s wives, whether his own wife was ill or not.

Then Romulus narrowly escapes being run over by an ox cart in the streets of Rome in the middle of the day. I had previously read that wagons and carts were forbidden by law to enter Rome until after dark. I mentioned this to my friend Pat Hunter, author of “Immortal Caesar,” and she told me that she thought the legislation was passed after Caesar returned from Gaul so this criticism may be unjustified.

Later, Romulus defeats an experienced and successful gladiator in a “duel” at the gladiator school. It is hard for me to believe that a 14-year-old boy with occasional training with a sword could defeat a veteran gladiator in single combat on his first outing. Gladiators were burly, barley-fed brutes (how’s that for alliteration!) whose body mass alone would have nearly guaranteed victory in such an encounter. Perhaps Kane was trying to appeal to a younger demographic with that one.

Then, I seriously doubt that a Roman noble, irregardless of how besotted he was with a beautiful prostitute, would have taken her to a formal Roman dinner party. I realize Rome had become Hellenized to some extent since the second Punic War but prostitutes from a brothel were not treated as Greek heitera in Roman social circles. He also would not have taken her to Roman gladiatorial contests or at least not sat with her and discussed combat tactics. Women were relegated to the uppermost seats, totally segregated from the men at Roman games, or at least they were less than a century later when the Flavian amphitheater (Colosseum) was built.

Kane also explained that only the most blood-thirsty Romans stayed for the gladiator bouts late in the afternoon, after watching the beast hunts and executions. This was laughable, as the gladiator contests were viewed as the climax of the entire experience. If anyone left, it was to grab a bite to eat at lunch during the criminal executions.

But, despite these perceived historical missteps, Kane spun a good yarn. I would agree with Rollins that the story was engaging, although “visceral”, no, not after reading one of Bernard Cornwell’s battle sequences in which his protagonist slashes wildly with a battle ax, wiping the spray of blood from a severed artery out of his eyes and flicking a fragment of bone and brain from his cheek – I was listening to Bernard Cornwell’s “Agincourt” during my morning workout at the same time I was reading the hard copy of “The Forgotten Legion” in the evening. Now that is my idea of visceral!

Review: Of Merchants and Heroes by Paul Waters



The young Roman protagonist of classicst Paul Waters' first novel, "Of Merchants and Heroes", seeks to find his own identity in a society in the midst of redefining itself, as the traditionally conservative Roman culture begins to embrace, albeit uncertainly, Greek Hellenism at the end of the second Punic War. Born of a landed but impoverished family on a farm in the centuries old city of Praeneste, young Marcus' life takes a dramatic turn when he and his father, along with other travelers, are captured by pirates, led by a ruthless but charismatic rogue named Dicaearchus (Dicearchus, or Diceärch - d.196 BC), an Aetolain rogue (and real historical figure) employed by Philip V of Macedon to raid the Cyclades and Rhodian ships after the second Punic War.

Marcus, alone, escapes and flees to the house of his uncle, a prosperous merchant who has capitalized on the war with Hannibal. Forced to become his uncle's adopted son, Marcus accompanies his uncle to Tarentum where his uncle has obtained a contract to oversee properties seized from Tarentines who supported Hannibal in the recent war. There, he saves the life of the father of Titus Quinctius Flamininus, a man who would play a prominant role in the future of Greco-Roman relationships and command the allied forces of Rome and Greece in the defining battle of Cynoscephalae in 197 BCE.

Titus, like many young elite Romans of the period, had selectively embraced a number of Greek customs while living in Tarentum, a city originally founded by a group of exiled Spartans in the 8th century BCE. Since its founding, Tarentum had become a thriving trading center and bustling seaport where many nations of the ancient Mediterranean co-mingled, sharing ideas and lifestyles. At one of Titus' dinner parties, Marcus encounters his first hetaira, a lady he grows to respect as they encounter each other a number of times throughout the story. Pacifae personifies the skilled courtesan described by Lucian in his Dialogues of the Courtesans:

"In the first place, she dresses attractively and looks neat; she's gay with all the men, without being so ready to cackle as you are, but smiles in a sweet bewitching way; later on, she's very clever when they're together, never cheats a visitor or an escort, and never throws herself at the men. If ever she takes a fee for going out to dinner, she doesn't drink too much--that's ridiculous, and men hate women who do--she doesn't gorge herself--that's ill-bred, my dear--but picks up the food with her finger-tips, eating quietly and not stuffing both cheeks full, and, when she drinks, she doesn't gulp, but sips slowly from time to time....Also, she doesn't talk too much or make fun of any of the company, and has eyes only for her customer. These are the things that make her popular with the men."

But love does not bloom for the young man until he visits the gymnasium and meets Menexanos, a young Athenian athlete. Bisexuality was accepted openly in the ancient world although in Roman society any Roman male engaging in such relationships was expected to take the dominant role. Waters does not examine that aspect of the relationship but rather presents the relationship as a communion of souls who strive to serve their respective homelands and infuse their lives with meaning while cultivating courage and lending support the each other in their quest for achievement and honor. This approach most closely resembles the treatment of bisexual relationships in Mary Renault’s classic “The Last of the Wine”.

Both young men end up as combatants in the famous battle of Cynoscephalae – Menexanos as an Athenian hoplite and Marcus as a Roman tribune – in the climax of the novel.

The thing that struck me as particularly unique about this novel was the development of the character of King Philip V of Macedon. He is usually mentioned only in passing in many books focusing on this period, presumably because Hannibal is such a charismatic figure he steals the show, so to speak. But King Philip V is presented by Waters as quite a dashing, if a bit roguish, commander of note in his own right who mounted a serious threat to Roman dominance in the Aegean. True to his ancestors, he was a master of subterfuge and seemed to have a formidable grasp of both siege and naval warfare. He was an intelligent and perceptive leader who could have easily turned the tables on the Romans if the confrontation at Cynoscephalae had occurred on ground more suited to phalanx tactics than to maneuvers of small Roman maniple units. As it is, the battlefield apparently was not specifically selected by Flamininus, just a fortunate coincidence although I’m sure Flamininus was aware of the phalanx’s maneuvering vulnerabilities. It seemed to be more of a case of Fortuna smiling on the Romans that day rather than a victory resulting from a carefully sprung trap.

I enjoyed this novel immensely and highly recommend it. I think it ranks as one of the best “first” novels I have read and I look forward with anticipation to Waters next effort.

Note: This novel was recently released in the U.S. under the title "The Republic of Vengeance."

Rome's Cultural Revolution




I always love watching Professor Andrew Wallace-Hadrill discuss ancient Rome on the History Channel because he so obviously enjoys his work and is genuinely fascinated by Roman culture and civilization. Every time I visit Pompeii I hope I will run into him there but so far I have not been so fortunate!

The period of Rome's imperial expansion, the late Republic and early Empire, saw transformations of its society, culture and identity. Drawing equally on archaeological and literary evidence, this book offers an original and provocative interpretation of these changes. Moving from recent debates about colonialism and cultural identity, both in the Roman world and more broadly, and challenging the traditional picture of 'Romanization' and 'Hellenization', it offers instead a model of overlapping cultural identities in dialogue with one another. It attributes a central role to cultural change in the process of redefinition of Roman identity, represented politically by the crisis of the Republican system and the establishment of the new Augustan order. Whether or not it is right to see these changes as 'revolutionary', they involve a profound transformation of Roman life and identity, one that lies at the heart of understanding the nature of the Roman Empire.

Andrew Wallace-Hadrill is Professor of Classics at the University of Reading and has been Director of the British School at Rome since 1995. His previous books are Suetonius: The Scholar and his Caesars (1983), Houses and Society in Pompeii and Herculaneum (1994) and Domestic Space in the Roman World (co-edited with Ray Laurence, 1997). He is currently directing a major project on a Pompeian neighbourhood with Michael Fulford and, since 2001, has directed the Herculaneum Conservation Project. He frequently contributes to radio and television programmes on various aspects of Roman life and in 2004 was awarded an OBE for services to Anglo-Italian cultural relations.

Ten Books That Illustrate Why Romans Were Great Lovers


While I was browsing new ancient-themed books on Amazon I saw this interesting list by Mary Beard of ten books that illustrate why Romans were great lovers. I definitely agree with item 9. When I visited the Museo Archaeologico in Naples a couple of years ago and ventured into the "Secret Room" I did not find the semi-erotic paintings particularly shocking, as did the first female Victorian visitors, but found the heaps of phallic-shaped votive offerings and explicit terracotta lamps a little unnerving. They still make me blush and I haven't gotten my nerve up enough to upload my photographs of them to Flickr even yet. When I do so I will flag them as "may offend" so they will be filtered. I don't want any teachers angry with me for including such graphic sexual images in collections I promote for classroom use.


1. Staying power
Roman lovers could keep going all night (at least if we take their word for it). Ovid – the first-century-BC’s man about town – claims that he could perform nine times in a single night. Read all about it in his ‘Love Poems” (Book 3, number 7). Read: Ovid, The Erotic Poems (Penguin Classics)
, translated by Peter Green.

2. Sweet talk
Roman men could make you feel so good. Mark Antony and Julius Caesar both talked their way into the heart of feisty Cleopatra. The chat-up lines of Rome’s founding father Aeneas drove Queen Dido senseless. Read: Virgil, The Aeneid (Penguin Classics Deluxe Edition)
, translated by Robert Fagles. (Go straight to Book 4)

3. Body beautiful
There was no flab or beer belly on these six-pack hunks. All that gym and exercise kept Greeks and Romans bronzed and trim. Read: Nigel Spivey, The Ancient Olympics: A History
.

4. Inventiveness

Sexual positions became (literally) an art-form for the Romans--two-somes, three-somes and more. You’d better stay supple though, or those more testing acrobatics will be beyond you. Read: John Clarke, Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C. - A.D. 250
.

5. Romantic agony
Roman men could do anguish better than any others. “I hate and I love . . . and it hurts” as the poet Catullus succinctly wrote to his fickle mistress. Don’t expect to escape a Roman affair without tears. Read: Catullus,The Poems of Catullus: A Bilingual Edition
, translated by Peter Green.

6. Great pick-up lines
Romans knew they had to work hard at the first impressions. Ovid, in a lover’s manual, gives the beginner plenty of advice on how to break the ice. Stand right next to her at a procession, and when some elaborate display goes past explain to her what it is. It doesn’t matter, says Ovid, if you don’t really know – make it sound plausible, to impress. Read: Ovid, Ovid: The Art of Love and Other Poems (Loeb Classical Library No. 232)
, translated by J. H. Mozley.

7. Open minds
Not many Romans were prudes. Most men were happy to contemplate sex with women, men, or if it came to it, animals – just so long as they were the active, not the passive partner. Read: Apuleius, The Golden Ass (Penguin Classics)
, translated by E. J. Kenney.

8. Rough-trade

Roman women went for the rough, tough sporting heroes of the ancient world. Successful gladiators became the heart-throbs of the Roman girls. Read: Catharine Edwards, The Politics of Immorality in Ancient Rome
.

9. In touch with their inner-selves
The anxiety of Roman men was one of their more endearing features. Images of the phallus were everywhere in Roman towns – but so too were images of castration and mutilation. The ancient man never took his prowess for granted. Carlin A. Barton,The Sorrows of the Ancient Romans
.

10. Not afraid to say 'I love you'


The walls of the buried city of Pompeii are covered with written messages from satisfied (and a few unsatisfied) men. ‘Oh Chloe, I had a wonderful time, twice over in this very spot, I love you. . . .’
Read: Antonio Varone, Eroticism in Pompeii
. And, in case you are looking for the woman’s point of view, try Marilyn B. Skinner, Sexuality in Greek and Roman Culture (Ancient Cultures)
.

Augustus: A modest first among equals? I think not.


When I read the product description of this book by Paul Rehak, scheduled for release April 8, I was pleased to see that someone besides me thinks Augustus was not as interested in being viewed as a modest citizen as many historians have suggested. I just returned from Rome a few weeks ago and while there had a chance to view the new rooms of the villa of Augustus on the Palatine that have been recently restored and saw nothing "modest" about them. They were as richly frescoed as most sumptuous villas of the wealthy that have been unearthed in Pompeii or Oplontis. You also can't help but be awestruck by the ornate naturalistic murals of a subterranean room from the villa of Livia recreated in a gallery of the National Museum in Rome either. Each time I see them I feel they envelope a visitor in a sense of luxury as real as if you were left to stroll in a richly planted peristyle garden.

"Caesar Augustus promoted a modest image of himself as the first among equals (princeps), a characterization that was as recognized with the ancient Romans as it is with many scholars today. Paul Rehak argues against this impression of humility and suggests that, like the monarchs of the Hellenistic age, Augustus sought immortality—an eternal glory gained through deliberate planning for his niche in history while flexing his existing power. Imperium and Cosmos focuses on Augustus’s Mausoleum and Ustrinum (site of his cremation), the Horologium-Solarium (a colossal sundial), and the Ara Pacis (Altar to Augustan Peace), all of which transformed the northern Campus Martius into a tribute to his major achievements in life and a vast memorial for his deification after death.

Rehak closely examines the artistic imagery on these monuments, providing numerous illustrations, tables, and charts. In an analysis firmly contextualized by a thorough discussion of the earlier models and motifs that inspired these Augustan monuments, Rehak shows how the princeps used these on such an unprecedented scale as to truly elevate himself above the common citizen. "

Tuesday, February 10, 2009

Alexander the Great Failure


This new book about the failures of Alexander the Great looks like it will stir up a little scholarly controversy. Alexander may have been a formidable warrior and military genius, but Grainger points out that Alexander's administrative failures were directly responsible for the collapse of the empire he fought so hard to create. Grainger also corrects the common misconception (as a result of the west's somewhat restricted diet of Greek versions of history from this period) of Persia, not as the discordant mélange of peoples depicted in classical Greek accounts, but as the political and economic center of the civilized world.

"In this authoritative book John Grainger explores the foundations of Alexander's empire and why it did not survive after his untimely death in 323 BC. Alexander the Great's empire stretched across three continents and his achievements changed the nature of the ancient world. But for all his military prowess and success as a conqueror, John Grainger argues that he was one of history's great failures. Alexander's arrogance was largely responsible for his own premature death and he was personally culpable for the failure of his imperial enterprise. For Alexander was king of a society where the ruler was absolutely central to the well-being of society as a whole. When the king failed, the Macedonian kingdom imploded, something which had happened every generation for two centuries before him and happened again when he died. For the good of his people, Alexander needed an adult successor, but he refused to provide one while also killing any man who could be seen as one. The consequence was fifty years of warfare after his death and the destruction of his empire."
This book is scheduled for release in August, 2009.

Wednesday, December 31, 2008

The Gladiators from Capua: A Review

by Mary Harrsch

I just finished listening to Caroline Lawrence's novel for young adults (grades 5-8) "The Gladiators from Capua" and found it both exciting and illustrative of both the Roman cultural attitudes towards bloodsport and the daily life of those involved in the production of Roman games and entertainments. The story's young heroes and heroines, each an interesting individual, acted maturely and, despite my own age, I felt like I was a companion to them as they searched the dank recesses of the Flavian amphitheater searching for a friend hiding among the ranks of the gladiators to escape execution as an arsonist. I found their youthful enthusiasm refreshing compared to the often bellicose and cyncial Marcus Didius Falco featured in adult mysteries by Lindsey Davis.

Inspired by Martial's accounts of Roman spectacles, Lawrence pulled no punches in depicting the brutality of theatrically presented executions and the bleak life of those condemned to serve as slaves in the squalor of the hypogeum. But she also revealed the glamorous life of successful gladiators so the readers could understand why men would choose to become professional fighters and members of a gladiatorial familia.

Lawrence presented the lives of the privileged sharply contrasted with the lives of the lowest classes in Roman society and even mixed in a touch of political intrigue and the social machinations that concerned the emperor Titus as he tries to govern the sometimes fickle Roman mob and thwart the power plays of his brother Domitian. The resulting story kept me as enthralled as many adult novels and provided an insightful slice of Roman life in the Flavian period that I think would encourage any child (or adult) to want to learn more about the classical world.

Seattle educator B. Goh observes, "The protagonists--all children--adroitly negotiate a morally difficult world where men, womnen and even children are victims of spectacular (and bloodthirsty) games in the Flavian amphitheater. However, the narration is also quite sensitive to the young reader's possible reactions, and sympathetic views are always heard from at least one character. The subject of personal loss and family tragedy is well explored here. I'm not a a mental health professional, but this books feels like the type that might help a child who has had to cope with the loss of a loved one. I've read every book in the series and as an educator in literature, I highly recommend it, and also the other books in the series."

Although this was my first exposure to Lawrence's work, the novel is actually the sixth in her Roman mysteries series. I definitely look forward to reading more adventures of these intrepid young sleuths.

Tuesday, December 16, 2008

Agincourt - Where History Became Legend!


I see that Bernard Cornwell has shifted his historical focus once again from the Viking era to the reign of Henry V in his newest novel, Agincourt:

Young Nicholas Hook is dogged by a cursed past—haunted by what he has failed to do and banished for what he has done. A wanted man in England, he is driven to fight as a mercenary archer in France, where he finds two things he can love: his instincts as a fighting man, and a girl in trouble. Together they survive the notorious massacre at Soissons, an event that shocks all Christendom. With no options left, Hook heads home to England, where his capture means certain death. Instead he is discovered by the young King of England—Henry V himself—and by royal command he takes up the longbow again and dons the cross of Saint George. Hook returns to France as part of the superb army Henry leads in his quest to claim the French crown. But after the English campaign suffers devastating early losses, it becomes clear that Hook and his fellow archers are their king's last resort in a desperate fight against an enemy more daunting than they could ever have imagined.

One of the most dramatic victories in British history, the battle of Agincourt—immortalized by Shakespeare in Henry V—pitted undermanned and overwhelmed English forces against a French army determined to keep their crown out of Henry's hands. Here Bernard Cornwell resurrects the legend of the battle and the "band of brothers" who fought it on October 25, 1415. An epic of redemption, Agincourt follows a commoner, a king, and a nation's entire army on an improbable mission to test the will of God and reclaim what is rightfully theirs. From the disasters at the siege of Harfleur to the horrors of the field of Agincourt, this exhilarating story of survival and slaughter is at once a brilliant work of history and a triumph of imagination. - Harper/Collins Publishers


Bernard Cornwell discusses the history behind Agincourt.



Agincourt is slated for release January 20, 2009.

I had the pleasure of meeting Mr. Cornwell at the Historical Novel Society Conference in Albany, New York a couple of years ago. The conference is held every two years and is scheduled this year from June 12 -14 in Schaumburg, Illinois. My son lives in Schaumburg so I called him up and said "Guess who gets to come stay with you in June?" My son is also a writer and said if the guests were interesting he might join me. I'm excited to see that Margaret George is one of the featured speakers this year. Her "Autobiography of Henry VIII" is one of my all time favorites!

Sunday, December 07, 2008

Lavinia by Ursula K. Le Guin

Lavinia"In a richly imagined, beautiful new novel, an acclaimed writer gives an epic heroine her voice
 
In The Aeneid, Vergil’s hero fights to claim the king’s daughter, Lavinia, with whom he is destined to found an empire. Lavinia herself never speaks a word. Now, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy, when Rome was a muddy village near seven hills. Lavinia grows up knowing nothing but peace and freedom, until suitors come. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner—that she will be the cause of a bitter war—and that her husband will not live long. When a fleet of Trojan ships sails up the Tiber, Lavinia decides to take her destiny into her own hands. And so she tells us what Vergil did not: the story of her life, and of the love of her life. Lavinia is a book of passion and war, generous and austerely beautiful, from a writer working at the height of her powers."
Technorati Tags: , , , , , , ,

Centurion by Simon Scarrow now available

Centurion (Roman Legion 8)"A gripping new novel featuring Roman army officers Macro and Cato on their most dangerous mission yet. In the first century AD the Roman Empire faces a new threat from its long-standing enemy Parthia. Parthia is vying with Rome for control of Palmyra an officially neutral kingdom. Palmyras royal household is on the brink of open revolt, and so a task force under the command of experienced soldiers Macro and Cato is dispatched to defend its king and guard its borders. When Parthia hears of the Roman armys presence, it starts amassing its troops for war. Macro's cohort must march against the enemy, deep into treacherous territory. If Palmyra is not to fall into the clutches of Parthia, they will have to defeat superior numbers in a desperate siege. The quest for a lasting peace has never been more challenging, nor more critical for the future of the empire."

I noticed this new novel by Simon Scarrow was among the new audio releases up on audible.com so I selected it as one of my choices for December.  It will be next up on my queue after I finish Genghis: Lords of the Bow by Conn Iggulden.

Technorati Tags: , , , , ,

Byzantium: The Surpising Life of a Medieval Empire by Judith Herrin

Byzantium: The Surprising Life of a Medieval EmpireByzantium. The name evokes grandeur and exoticism--gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium--long history, she identifies the fundamental questions about Byzantium--what it was, and what special significance it holds for us today.

Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of Byzantine history--from the foundation of Constantinople, the magnificent capital city built by Constantine the Great, to its capture by the Ottoman Turks.

She argues that Byzantium's crucial role as the eastern defender of Christendom against Muslim expansion during the early Middle Ages made Europe--and the modern Western world--possible. Herrin captivates us with her discussions of all facets of Byzantine culture and society. She walks us through the complex ceremonies of the imperial court. She describes the transcendent beauty and power of the church of Hagia Sophia, as well as chariot races, monastic spirituality, diplomacy, and literature. She reveals the fascinating worlds of military usurpers and ascetics, eunuchs and courtesans, and artisans who fashioned the silks, icons, ivories, and mosaics so readily associated with Byzantine art.

An innovative history written by one of our foremost scholars, Byzantium reveals this great civilization's rise to military and cultural supremacy, its spectacular destruction by the Fourth Crusade, and its revival and final conquest in 1453.

Technorati Tags: , , , ,

Hellenism in Byzantium by Anthony Kaldellis

Hellenism in Byzantium: The Transformations of Greek Identity and the Reception of the Classical Tradition (Greek Culture in the Roman World)"This is the first systematic study of what it meant to be 'Greek' in late antiquity and Byzantium, an identity that could alternatively become national, religious, philosophical, or cultural. Through close readings of the sources, Professor Kaldellis surveys the space that Hellenism occupied in each period; the broader debates in which it was caught up; and the historical causes of its successive transformations. The first section (100-400) shows how Romanization and Christianization led to the abandonment of Hellenism as a national label and its restriction to a negative religious sense and a positive, albeit rarefied, cultural one. The second (1000-1300) shows how Hellenism was revived in Byzantium and contributed to the evolution of its culture. The discussion looks closely at the reception of the classical tradition, which was the reason why Hellenism was always desirable and dangerous in Christian society, and presents a new model for understanding Byzantine civilization."

Technorati Tags: , , , , ,

Loyalty and Dissidence in Roman Egypt by Andrew Harker

Loyalty and Dissidence in Roman Egypt: The Case of the Acta Alexandrinorum"The Acta Alexandrinorum are a fascinating collection of texts, dealing with relations between the Alexandrians and the Roman emperors in the first century AD. This was a turbulent time in the life of the capital city of the new province of Egypt, not least because of tensions between the Greek and Jewish sections of the population. Dr Harker has written the first in-depth study of these texts since their first edition half a century ago, and examines them in the context of other similar contemporary literary forms, both from Roman Egypt and the wider Roman Empire. This study of the Acta Alexandrinorum, which was genuinely popular in Roman Egypt, offers a more complex perspective on provincial mentalities towards imperial Rome than that offered in the mainstream elite literature. It will be of interest to classicists and ancient historians, but also to those interested in Jewish and New Testament studies."
Technorati Tags: , , , ,

Saturday, November 15, 2008

Flint and Drake weave fantasy novel around the life of Justinian's general Belisarius

Belisarius I: Thunder at Dawn (Belisarius Series)As usual I was searching Amazon for something else and stumbled across this intriguing combination of history and fantasy by the writing team of Eric Flint and David Drake.  William Rosen piqued my interest in Byzantine emperor Justinian's formidable commander Belisarius when his exploits were described in "Justinian's Flea: Plague Empire, and the Birth of Europe".  I have "Belisarius" by Robert Graves on audio in my online audible library but I haven't had a chance to listen to it yet.  Now it looks like I need to add this compedium to my "to be read" list!

"Thunder At Dawn (2008) is an omnibus edition of the Belisarius series, including An Oblique Approach and In the Heart of Darkness. In this series, Emperor Justinian ruled Byzantium, the Empire of Rome in the East. A former Thracian peasant, Justinian had selected a minor Thracian noble -- Belisarius -- to be his bodyguard and then later to head the army facing their Medean foe. While Belisarius was not the Emperor's friend (for Justinian had no friends), they respected each other and Belisarius' wife Antonia was a close friend of the Empress Theodora.

An Oblique Approach (1998) is the first novel in this series. Belisarius has just assumed command of the Army at Daras when the monk Michael of Macedonia and Anthony Cassian -- the local bishop -- come to his new house in Aleppo. They bring a strange object -- a faceted crystal that seems to form and reform -- found by Michael within his cave in the desert. They say that it has brought visions to their minds while holding it and they urge Belisarius to take it into his own hands. When it is passed to him, the crystal flares into light and floods his mind with visions.

The crystal can induce visions and feelings, but is mostly unable to communicate directly. The visions shows a future in which the Malwa empire of northern India conquers all the known world. These visions induce feelings of dread and despair, but all who hold the crystal also feel certain that the future shown and felt is not necessarily the only possible future. The crystal has come to enlist Belisarius himself in an effort to preclude this bitter future in favor of one more consistent with their own desires and inclinations.

While the exhausted crystal quietly regains its strength, the human party forms a conspiracy to counter the evil plans of the Malwa. Deciding to keep the secret among themselves for a time, they arrange for a location to build an arsenal and weapons project on property controlled by Anthony. They also agree that Anthony will arrange for the services of John of Rhodes -- a clever ex-naval officer -- as the head of the project.

This story depicts an intervention from the future followed by a counter-intervention from the same era. The intervention itself is not described in this volume, but the crystal represents the counterforce. The first portion of the story consists mainly of clearing the decks to allow the conspirators to investigate the real enemy, which can only be done in India by Belisarius himself.

In the Heart of Darkness (1998) is the second novel in this series. Belisarius is allowed to observe the siege of Ranapur from a distance, but the Rajput guards are under orders to restrict the viewing times and the viewpoint. Then Lord Harsha decrees that the siege will end on a certain date and Belisarius is taken to the Imperial Pavilion on the eastern side of the city to observe the assault.

Belisarius has already learned that the city seems to have a large amount of gunpowder, but no cannon. Now he learns that the defenders include a number of miners. He considers the possibilities and decides to inform the Malwa that the attack probably will cross tunnels packed with explosives.

First he commands his men to dismount and tells Rana Sanga -- the Rajput escort commander -- to dismount his own troops. Then the world disappears in a white flash and things start to impact his vicinity. When he crawls out from under his shield, Belisarius notices bodies, parts of bodies, and parts of parts of bodies all around him, along with various other objects.

The Ranapur defenders pour over of the destroyed walls and push their way through the dazed attackers toward the Imperial Pavilion. Belisarius shows Rana Sanga the counterattack and the Rajputs hurry toward the pavilion to protect the Malwa emperor. But Belisarius and his three bucellarii approach the befuddled survivors and direct their attention to the attacking forces.

This story introduces Belisarius to the Malwa emperor and takes him to the Malwa capital, where he meets Link, the penultimate enemy. He takes Aide -- his crystaline ally -- with him into enemy territory. Aide is still learning the limitations of the humans in this timeframe and sometimes becomes impatient with Belisarius. Yet Aide does furnish some uptime concepts that might be adapted to the current technology.

Highly recommended for Drake & Flint fans and for anyone else who enjoys tales of alternate history, military tactics, and epic drama."

-Arthur W. Jordin
Technorati Tags: , , , , , , ,

Monday, November 10, 2008

Robert Harris' second novel about Cicero due this month


I noticed with excitement that "Conspirata", Robert Harris' second novel about the career of famous Roman politician Marcus Tullius Cicero is due out this month. I also see that it will be available on audio CD so hopefully I'll be able to get the audio version up on audible.com as well.

All I could find out about the plot was this rather generic blurb up on the Audio Editions website (Amazon, surprisingly, had nothing but a note that it was not yet available):

"Cicero returns to continue his quest for supreme power in the state of Rome. Amid treachery, vengeance, violence, and treason, he finally reaches the summit of all his ambitions: he becomes the world's first professional politician, using his compassion and cunning to overcome all obstacles. By the author of Imperium."

I'll have to be sure to email my son about it. He surprised me recently in a phone call telling me how much he enjoyed "Imperium". He's not normally a fan of historical fiction (he, himself, writes sci-fi) so I'm not quite sure what prompted him to read it except curiousity about what could be prompting his mother's fanatical obsession with the Roman Empire

Friday, November 07, 2008

Conn Iggulden delivers riveting tale in Genghis: Birth of an Empire


Review by Mary Harrsch

I knew very little about the Mongol people before reading this novel. But Conn Iggulden brought the culture to life in a riveting narrative that kept me exercising way beyond my required minutes each day (I listened to the unabridged audible version). Iggulden's incarnation of "Timujin" is that of a warrior of admirable strength and skill as well as a man of vision and deep conviction. Some may also perceive him as ruthless although he appears to have demonstrated more restraint than other men spawned in such an environment. The tribal society Iggulden depicts on the unforgiving steppes is that of a hard people struggling just to survive in a land where the dispossessed (or just unfortunate) were often prey to any passing group desirous of their meager belongings, even if the spoils were just an old worn deel (coat) and a small pouch of rancid mutton. Yet, it was from these very wanderers that Genghis Khan forged a nation.

I appreciated the author's notes at the end that pointed out where his tale diverged from actual events. I had heard that Iggulden had took such liberty with history in his Emperor series about Julius Caesar that some reviewers had said it resembled fantasy rather than historical fiction so I was a little apprehensive about believing too much of what I "learned" about the Mongol culture by reading this work. But, after hearing his explanations about which parts of the story veered from the actual events, I thought Iggulden had done an admirable job of crafting an intensely interesting story that, for the most part, followed the trajectory of Genghis Khan's early life closely enough in most areas that mattered.

Thursday, October 30, 2008

Shadows In the Desert by Dr. Kaveh Farrokh

Shadows in the Desert: Ancient Persia at War (General Military)The ruins of Persepolis evoke the best-known events of ancient Persia's history: Alexander the Great's defeat of Darius III, his conquest of the Achaemenid empire, and the burning of the great palace complex at Persepolis. However, most of the history of ancient Persia remains as mysterious today as it was to contemporary Western scholars. Compared to the world-famous Alexander, the many wars won by the Achaemenid, Parthian, and Sassanian empires, and their revolutionary military technology, have been almost forgotten in the sands of the East.

In its day, Persia was a superpower to rival Greece and Rome, and conflict between them spanned over a millennium. Through these wars, and trade, these foes learnt from each other, not only adopting elements of military technology, but influences in the arts, architecture, religion, technology and learning. In this beautifully illustrated book, Dr Kaveh Farrokh narrates the history of Persia from before the first empires, through their wars with East and West to the fall of the Sassanians. He also delves into the forgotten cultural heritage of the Persians, spread across the world through war and conquest, which, even after the fall of the Sassanians, continued to impact upon the Western world.

The author was awarded the 2008 Persia Golden Lioness Award for outstanding literature for this work.

Technorati Tags: , , , , , , , ,

The Wars of Alexander's Successors 323-281 BC: Commanders and Campaigns by Bob Bennett and Mike Roberts

The Wars of Alexander's Successors 323 - 281 BC: Commanders and Campaigns v. 1D. Evans of the UK writes: "I've been interested in Alexander the Great for many years, but I've always been disappointed with the lack of books on what occured after his death. Usually in Alexander biographies the aftermath is only mentioned in passing, and if anyone wants to know what became of Alexander's successors they usually have to get hold of expensive works like Waldemar Heckel's 'The Marshals of Alexander's Empire'.

I was therefore looking forward to reading this book on Alexander's successors as it was the only cheap book on the subject I could find. I was definately not disappointed with the purchase as this book is well researched and very readable.

The book begins straight after Alexander's death as the Diadochi argue and fight over his corpse, with Perdiccas rising to the top. It is from here that we are taken on a chronological tour of the Hellenistic World, from 323 to 281 BC. Along the way, the authors give us biographies of the leading men of the age, from Ptolemy, who rose to become the Pharaoh of Egypt, Seleucus who ruled over the largest part of Alexander's Empire, as well as Antigonous and Lysimachus. You also get to know about the other figures of the period, such as Demetrius the Besieger and Pyrrhus of Epirus who are amongst the most fascinating figures in Classical History. These sections provide the reader with both a broad view of their lives, as well as an intimate look at their personalities, i.e. Seleucus's hatred of paperwork, the family feuds of Ptolemy, and the stingyness of Lysimachus.

Other chapters give us detailed looks on events such as the struggle for Macedonia, the Battle of Ipsus, and the constant fighting for control over Coele-Syria. The book finishes with a look at the battle of Corupedium in 281 BC, when the last of the Diadochi, Seleucus and Lysimachus, now in their seventies, fought near Sardis in Lydia.

The book is very well written and readable, and in some sections it even reads like a novel. In that respect if you have an interest in Alexander the Great or the Hellenistic World, then this book is a must have. I'm already looking forward to Volume II!

Note: Also contains a few black and white photographs and one basic map. If the book has one criticism it is that it should have contained more detailed and numerous maps."Technorati Tags: , , , , , , , , , ,

The Defeat of Rome in the East: Crassus, the Parthians and the Disastrous Battle of Carrhae, 53 BC by Gareth Sampson

DEFEAT OF ROME IN THE EAST, THE: Crassus, the Parthians, and the Disastrous Battle of Carrhae, 53 BCDuring the last stages of the Republic, Rome suffered its greatest military disaster since Hannibal's invasion of Italy over 150 years earlier, though this defeat had more far-reaching consequences. While Rome was able to recover from its disaster at Cannae, it never did retrieve the results of Carrhae, a defeat that sealed the East as an impenetrable barrier to Roman ambition, and also signaled the demise of the Republic.In 53 BC, Marcus Crassus, the richest member of Rome's ruling Triumverate, which also included Caesar and Pompey, decided to enhance his military stature with an invasion of the Parthian Empire centered on Mesopotamia (today's Iraq). His 36,000 legionaries crossed the Euphrates and were met by a much smaller Parthian army, albeit one mounted on horseback in the dispersed, missile-firing steppe-war tradition.In the desolate territory around Carrhae the Roman legions were surrounded and beset by elusive horse warriors, who alternated deadly arrow-fire from recurved bows with devastating attacks by armored horsemen, wielding lances in the fashion of future European knights. At one point Crassus dispatched his son with the Roman cavalry and light infantry to break a hole through the deadly ring. The Parthians concentrated on the party and destroyed it. Crassus was just about to move with the main body to its aid when Parthian horsemen rode up wielding his son's head on the tip of a spear.Severely unnerved, Crassus ordered a retreat, the Parthians moving in to massacre the 4,000 wounded he left behind. The next day, called to a parlay he was forced to attend by his nearly mutinous soldiers, Crassus and his officers were murdered by the Parthians. The now-leaderless Roman army disintegrated, only some 6,000 able to escape. At least 20,000 Roman legionaries were dead on the field, with 10,000 more captured.In this book Dr. Gareth Sampson, currently a tutor in ancient history at the University of Manchester, lays out not only the gruesome outcome of the battle but its immense consequences. First, unlike Alexander's Greeks, who had marched all the way to the Indus, Rome was never again to challenge the civilizations beyond the Euphrates. Second, with Crassus dead, Caesar and Pompey engaged in a bloody civil war that would end the Republic and result in political dictatorship. The author also provides an analysis of the mysterious Parthians, a people who vied with Rome as the most powerful empire on earth. Though their polity and records have long since disappeared, the Parthians' mark on history is clear enough through their decisive victory over Rome at Carrhae.Technorati Tags: , , , , , , , ,

Philip II of Macedonia by Ian Worthington

Philip II of MacedoniaAlexander the Great is probably the most famous ruler of antiquity, and his spectacular conquests are recounted often in books and films. But what of his father, Philip II, who united Macedonia, created the best army in the world at the time, and conquered and annexed Greece? This landmark biography is the first to bring Philip to life, exploring the details of his life and legacy and demonstrating that his achievements were so remarkable that it can be argued they outshone those of his more famous son. Without Philip, Greek history would have been entirely different.

 

Taking into account recent archaeological discoveries and reinterpreting ancient literary records, Ian Worthington brings to light Philip’s political, economic, military, social, and cultural accomplishments. He reveals the full repertoire of the king’s tactics, including several polygamous diplomatic marriages, deceit, bribery, military force, and a knack for playing off enemies against one another. The author also inquires into the king’s influences, motives, and aims, and in particular his turbulent, unraveling relationship with Alexander, which may have ended in murder. Philip became in many ways the first modern regent of the ancient world, and this book places him where he properly belongs: firmly at the center stage of Greek history.


Scheduled for Release:  November 3, 2008

Technorati Tags: , , , , ,

Saturday, October 25, 2008

Alexander the Great Rocks the World by Vicky Alvear Shecter


Review by Mary Harrsch

This children's book did a very good job of touching on the significant events of the life of Alexander the Great. Author Vicky Alvear Shecter's modern banter may not be every adult's cup of tea but I think kids overall prefer to take life a little less seriously so I'm sure Shecter's touch of levity made the stodgy subject of history much more palatable to its intended audience. I also think she wisely avoided any potential controversy over explanations of the relationship between Alexander and Hephaistion by simply describing them as the best of friends so conservative parents would not raise a ruckus about the book's inclusion in any school library.


I particularly enjoyed Shecter's inclusion of quotes from some of Alexander's famous contemporaries like Aristotle as well as other notable Greeks..

"A true friend is like a soul in two bodies." and "All virtue is summed up in dealing justly". and "We are what we repeatedly do. Excellence, then is not an act, but a habit." - Aristotle

She even dug up a quote attributed to Alexander himself: "Remember upon the conduct of each depends the fate of all."

In addition to images of paintings and ancient art, each chapter was illustrated with whimsical sketches by Terry Naughton, a former Disney animator who worked on such Disney classics as the Little Mermaid, Beauty and the Beast, Aladdin, and Lion King.

I can see why the book was selected by the Junior Library Guild for excellence in children's literature.

Vicky contacted me about using some of my images of artwork featuring Cleopatra to use in a new book she hopes to write on the famous Egyptian Queen. At the time, she was looking for a publisher for the project. I hope she found one as I'm sure it would be as equally well done.

Recommended for Grades 5 - 8.

Saturday, October 18, 2008

Caligula: The Tyranny of Rome by Douglas Jackson


Gaius Julius Caesar Augustus Germanicus, the third Roman Emperor, is better known by another name: Caligula, a name synonymous with decadence, cruelty and madness. His reign was marked by excess, huge building projects, the largest gladiatorial battles Rome was ever to see - men and animals killed in their hundreds - conspiracies, assassination attempts and sexual scandal. Rufus as a young slave grows up far from the corruption of the imperial court. His master is a trainer of animals for the gladiatorial arena. Rufus discovers that he has a natural ability with animals, a talent for controlling and schooling them. It is at the arenas that Rufus meets his great friend Cupido, one of Rome's greatest gladiators. It is his growing reputation as an animal trainer and his friendship with Cupido that attracts the cruel gaze of the Emperor.Caligula wants a keeper for the imperial elephant and Rufus is bought from his master and taken to the imperial palace. Life here is dictated by Caligula's ever shifting moods. Caligula is as generous as he is cruel, he is a megalomaniac who declares himself a living god and simultaneously lives in constant fear of the plots against his life.Technorati Tags: , , , , , ,

Friday, October 03, 2008

Cleopatra, Last Queen of Egypt

Cleopatra was, Joyce Tyldesley, archaeologist, author ("Daughters of Isis"), and popular consultant for TV shows on ancient history, concludes, "an intelligent and effective monarch who set realistic goals and who very nearly succeeded in creating a dynasty that would have re-established Egypt as a world super power." Roman historians, though, saw only "an unnatural, immodest woman who preyed on other women's husbands. From this developed the myth of the sexually promiscuous Cleopatra ... a harsh legacy indeed for a woman who probably had no more than two, consecutive sexual relationships."

Readers who enjoy not only history but how it evolves into myth will find a feast in Tyldesley's book. You may be disappointed to find out that the Queen of Egypt did not first appear to Caesar unwrapped from an Oriental carpet, and it's unlikely that Cleopatra succumbed to the bite of an asp, but Tyldesley's theories as to what most likely did happen are at least as interesting as the folklore.- Allen Barra, The Minneapolis-St. Paul, Minnesota, Star Tribune.

Technorati Tags: , , ,

Thursday, September 11, 2008

Empress of Rome: Den of Wolves, Luke Devenish

Review by Stephen Davenport

"Luke Devenish is best known as a script writer for Neighbours. With an incredible narrative power and his distinguished storytelling talent at full strength, Devenish delivers a breathtaking debut novel that is both grand in scope and vivid in detail.

The birth of the Roman Empire is the milieu of Den of Wolves, the first of Devenish's planned Empress of Rome trilogy. Violent, sensual and insanely sordid, the Julio-Claudian tale sweeps the reader into the whirlpool of murder, betrayal, passion, splendour and the chaotic mayhem that defined ancient Rome.

Narrated by Iphicles, a centenarian slave, the saga reveals much about the monstrous woman behind the world shaking events that began with the assassination of Julius Caesar. Using soap opera techniques, Devenish produces a swiftly-moving story that is brimming with political intrigue, lust and drama.

But there is nothing second rate about Den of Wolves. The author cleverly retells history from a female perspective. The legendary cast of ambitious and opportunistic characters from Livia Drusilla – wife of Octavian and mother of Tiberius – to Agrippina the Elder and her son Caligula, and other vile creatures, are imaginatively and entertainingly re-imagined. Den of Wolves is an engaging examination of human nature and a genuine throwback to the good-old-fashioned scandal, sin and swords novel." Technorati Tags: , , , , , , , ,

Friday, August 22, 2008

Philip Freeman's "Julius Caesar": A Review


by Mary Harrsch

Philip Freeman's "Julius Caesar" is a comprehensive biography of the Roman conqueror that is as straightforward and readable as the general's own "Gallic Wars". Freeman not only stitches together the various ancient accounts of Caesar's exploits but adds context to his activities by including helpful background information about his various adversaries pulled from a wealth of modern scholarship. He recounts Caesar's conquest of the Celtic tribes of Gaul against a vivid tapestry of the Celtic culture gleaned from such works as Rankin's "Celts and the Classical World, Cunliff's "The Ancient Celts", and Green's "The World of the Druids". I especially found the defeats or near-defeats suffered at the hands of the Celts as fascinating as Caesar's famous victory at Alesia.

The details of a surprise attack by Belgic tribes was particularly intense and sadly ironic because Caesar was essentially saved by his future Civil War opponent, Labienus.

"He [Caesar] had been caught unprepared for a surprise assault of such force and speed. His army would surely have been overwhelmed had it not been for the training and experience they had gained during the past year. There was no time to call his officers together and form a plan , so each organized whatever men were nearest and struck back at the Belgae. With a herculean effort, the Roman troops on the eastern side of the battlefield were able to push the Atrebates and then the Vironmandui back across the river with heavy losses on both sides, but the Nervii on the western end would not yield and pressed the Romans until they fell back in a hopeless struggle to save their camp. The Nervii stormed over the uncompleted walls of the Roman stronghold, killing many of the legionaries and threatening to outflank the Roman forces who had already crossed the river. Caesar had been rushing madly to every corner of the battlefield, but when he saw the dire threat at the camp, he leapt from his horse, grabbed a sword, and joined the fray."

Although Caesar's men rallied with their commander beside them calling them by name, their plight was dire. They managed to stop the encirclement and were presently reinforced by the the arrival of the two legions that had escorted the baggage train. But the real turning point of the battle hinged on the counterattack led by Labienus who, seeing Caesar's desperate struggle, dashed back across the river.

"His arrival brought such hope to the beleaguered men around Caesar that even those who had been seriously wounded propped themselves against their shields for support to continue to fight."

With the tide of battle now turned the Belgic warriors demonstrated their own ferocity and determination to remain an unconquered people.

"As the hours passed, the Romans slowly tightened the circle on them, hacking and killing as each Belgic warrior fought with all his might. In the end, the few Nervii who were left stood on a mound formed by their fallen comrades and - pulling the Roman spears from the dead bodies of their friends - threw them back down at the legions."

These images brought echoes of Thermopylae to mind.

Many critics of Caesar's activities in Gaul have portrayed Caesar and his commanders as ruthless perpetrators of genocide without significant provocation but Freeman, using the details of engagements retold in Caesar's Gallic Wars, recounts numerous incidents of Gallic duplicity after peace agreements were concluded. But Freeman also points out that Caesar did not delude himself with proclamations that he was bringing "civilization" to the Gauls. Instead he said Caesar candidly observed, "Human nature everywhere yearns for freedom and hates submitting to domination by another."

"The Romans never pretended that they were bringing freedom or a better way of life to the peoples they conquered." Freeman states. "They frankly admitted that they were only interested in increasing their own power, wealth, and security through conquest."

I have previously only read isolated passages of accounts of Caesar's Alexandrian Wars so I also found that portion of Freeman's book particularly fascinating. Many books and films about this period seem to omit most references to intervention by Cleopatra's sister Arsinoe and her commander Ganymedes. Many accounts of the confrontation between the Alexandrians and Caesar seem to focus on the activities of the Egyptian general Achillas and the spoiled child-pharaoh Ptolemy XIII. But Freeman recounts how Achillas was actually murdered by Ganymedes and most of the near disasters suffered by Caesar's forces, beseiged in the palace, were masterminded by this militarily astute courtier. Freeman also details the urban warfare that Caesar was forced to conduct in Alexandria that sounded eerily familiar to anyone who watches CNN regularly. I was also surprised to read that the often-portrayed luxurious "honeymoon" cruise up the Nile was a deliberate show of military force since the royal barge was accompanied by over 400 ships crammed with Roman troops. I am now more convinced than ever that Caesar's effort to father a child with Cleopatra was a deliberate act to obtain a client king related by blood to secure Egypt without annexing it and risking its plunder by a corrupt proconsular governor in the future.

Freeman mentioned Caesar's epilepsy only in passing early on in the text. This surprised me since I have long suspected that a head wound Caesar sustained on campaign was actually the cause of the increased frequency of seizures Caesar suffered toward the end of his life and perhaps one of the reasons for the apparent lack of political judgment he exercised at the time of the Africa triumph when he included unpopular tableaus depicting the deaths of Scipio and Cato. Freeman only observed that Caesar showed particularly bad taste in celebrating a triumph over his Roman opponents and how this had upset his normally adoring crowd. There were at least four significant seizures documented by the ancient sources (Plutarch, Suetonius, Appian, and Pliny) that modern experts conclude, according to J. R. Hughes, Department of Neurology, School of Medicine, University of Illinois at Chicago, "were probably complex partial seizures: (1) while listening to an oration by Cicero, (2) in the Senate while being offered the Emperor's Crown, and in military campaigns, (3) near Thapsus (North Africa) and (4) Corduba (Spain)."

Drs. J.G Gomez, J.A. Kotler, and J.B. Long, Division of Neurological Surgery, Holy Cross Hospital, Fort Lauderdale, Florida, conducted a pathological analysis of Caesar's reported symptoms and behavioral changes in 1995 and suggested he may have been suffering from a brain tumor. "The patient had late onset of seizures in the last two years of his life, headaches, personality changes. Upon reexamination of existing Julius Caesar iconography, busts, statues and minted coins no skull deformities have been noted. Identification of a skull deformity as described by Suetonius would have confirmed the suspicion of meningioma involving the convexity of the cerebral hemispheres. Meningioma or slow-growing supratentorial glioma may well have been responsible for this man's illness."

In any event, I think a man who had demonstrated such a superior grasp of Roman politics in the past would not have committed such blunders on purpose or because success had simply "gone to his head".

Freeman included a wonderful compedium at the end of the book that listed his sources for various sections within the text that is a valuable reference for readers wishing to learn more about specific events in Caesar's life. A comprehensive bibliography and index rounded out the text's impressive list of source materials. There were only two things contained in the book that gave me pause. One was a reference to a pilum not being designed as a throwing weapon but rather a thrusting weapon. I think this must have been a lapse in editing as Freeman was comparing Roman weapons with other weapons of the ancient world. Alexander's Macedonians carried sarissas, that, unlike commonly used Greek spears, were not designed for throwing but for thrusting. Likewise, the Roman gladius was designed for thrusting rather than slashing. But a Roman pilum was designed to bend on impact to make it difficult to remove and Freeman pointed this out. So, I would think a weapon so designed was obviously intended primarily for throwing. The other error was the inclusion of an image of a sculptured head of Lucius Cornelius Sulla labeled as Gaius Marius in the photo insert section. It was provided by the Bridgeman Art Library and perhaps the labeling error was theirs. The head is in the permanent collection of the Glyptotek in Munich, Germany as indicated but according to an overwhelming majority of people on the web, including the scholars who maintain Vroma.org, the head belongs to Marius' arch enemy, Sulla. See http://www.vroma.org/~bmcmanus/optimates.html.

Sunday, June 29, 2008

Roman Bodies. Antiquity to the Eighteenth Century


While I was researching other works published by The British School in Rome, I came across a listing for this fascinating-sounding book, Roman Bodies. Antiquity to the Eighteenth Century, edited by Andrew Hopkins and Maria Wyke:

"
The seventeen wide-ranging and interdisciplinary essays explore dramatic changes in Western conceptions of the body. Divided into three sections, ‘Empire’, ‘Church’ and ‘Religion and science’, topics discussed include gender, sexuality, social and political identity, health and sickness, the body in death and after, and corporeal aesthetics.

[1] The body of Rome: introduction, Maria Wyke and Andrew Hopkins; [2] Archetypally Roman? Representing Seneca’s ageing body, Catharine Edwards; [3] Circumcision, de-circumcision and self-image: Celsus’s ‘operation on the penis’, Ralph Jackson; [4] A Roman perspective on circumcision, Pierre Cordier; [5] In the foreskin of your flesh’: the pure male body in late antiquity, Gillian Clark; [6] Headhunters of the Roman army, Nic Fields; [7] Execution in effigy: severed heads and decapitated statues in Imperial Rome, Eric R. Varner; [8] Disabled bodies: the (mis)representation of the lame in antiquity and their reappearance in early Christian and medieval art, Livio Pestilli; [9]Truth, perception and the pagan body in the Roman martyr narratives, Kristina Sessa; [10] The paradoxical body of Saint Agnes, Lucy Grig; [11] The relic translations of Paschal I: transforming city and cult, Caroline Goodson; [12] Majesty and mortality: attitudes towards the corpse in papal funeral ceremonies, Minou Schraven; [13] A theatre of cruelty and forgiveness: dissection, institutions and the moral discourse of anatomy in sixteenth-century Rome, Andrea Carlino; [14] Not torments, but delights: Antonio Gallonio’s Trattato de gli instrumenti di martirio of 1591 and its illustrations, Opher Mansour; [15] Ancient bodies and contested identities in the English College martyrdom cycle, Rome, Richard L. Williams; [16] Secrets of the heart: the role of saintly bodies in the medical discourse of Counter-Reformation Rome, Catrien Santing; [17] Contesting the Sacred Heart of Jesus in late eighteenth-century Rome, Jon L. Seydl."

I thought the sections on executions in effigy and the decapitation of statues in Roman art as well as the discussion of the misrepresentation of the disabled in antiquity sounded particularly interesting.

Private Worship, Public Values, and Religious Change in Late Antiquity


"Conventional histories of late antique Christianity tell the story of a public institution - the Christian church. In this book, Kim Bowes relates another history, that of the Christian private. Using textual and archaeological evidence, she examines the Christian rituals of home and rural estate, which took place outside the supervision of bishops and their agents. These domestic rituals and the spaces in which they were performed were rooted in age-old religious habits. They formed a major, heretofore unrecognized force in late ancient Christian practice. The religion of home and family, however, was not easily reconciled with that of the bishop's church. Domestic Christian practices presented challenges to episcopal authority and posed thorny questions about the relationship between individuals and the Christian collective. As Bowes suggests, the story of private Christianity reveals a watershed in changing conceptions of "public" and "private," one whose repercussions echo through contemporary political and religious debate."

"Dr. Kim Bowes joined the Art History faculty at Fordham in January of 2004 after a doctorate at Princeton University and a post-doctoral fellowship at Yale University. Her research focuses on the art, archaeology and history of late antiquity and early Christianity. Her particular interests are Christian practice in the home, domestic architecture and landscape archaeology. She has articles in the Journal of Roman Archaeology, Art History and the Journal of Early Christian Studies, and is the co-editor of two books, Between Text and Territory: Survey and Excavation in the Terra of San Vicenzo al Volturno (forthcoming); and Hispania in the Late Antique World: New Perspectives (Brill, 2005). Kim is also a practicing field archaeologist, and has excavated sites ranging from Israel to Portugal, most recently a Roman amphitheater in Albania. Kim spent the last year as a Fellow at the American Academy in Rome where she completed a monograph entitled, Possessing the Holy: Private Worship in Late Antiquity." - faculty profile, Fordham University.

- This book is scheduled for release August 31, 2008.

Wednesday, June 25, 2008

Steven Pressfield offers thought provoking insight into his writing goals


GoodReads.com posted an interesting interview with fellow Oregonian, Steven Pressfield. His current book is entitled "Killing Rommel" about the efforts of the British Long Range Desert Group (I think this group was the basis for the TV series "Rat Patrol") to assassinate the "Desert Fox" in WWII. This is quite a departure from the ancient world that has been his focus in "Gates of Fire", "Tides of War", "The Virtues of War", and "The Afghan Campaign".

In the course of the interview, though, he explained his theme and reasons for writing "Gates of Fire", one of my favorite books, as it pertains to members of the modern military that I found very thought provoking and inspiring:

"Randy, a Goodreads member and Marine comments, "Pressfield uses the battle of Thermopylae...as a backdrop for studying the psychological makeup of what a soldier should be. This is a great book for anyone who is thinking of, or soon will be joining, military service. Those who are confused as to why a friend or loved one wants to join the military can very likely gain their answers from this book." Gates of Fire is required reading at several military schools around the country. Why do you think this is the case? What is it about your book that appeals to the military-inclined mind? Who else could learn from your books?

Steven Pressfield: Gates of Fire has a theme, and the theme is courage. It's also very much about the camaraderie of fighting men and of the warrior ethos. Believe me, this is still alive and well, despite all P.C. efforts to exile it into the past. Today's Marines and soldiers, however, like the rest of us, are woefully undereducated. No one has studied the past, so we all feel as if we're the first people on the planet to be confronting the issues we're confronting. That's where a book like Gates fills a gap. Marines and Army guys read it and realize that the same stuff they're going through has been gone through by a lot of other warriors before them, and that those warriors and the societies they lived in had highly evolved codes of honor and conduct. It gives our young soldiers and Marines a longer historical perspective and inspires them that they're not alone and they're not the first; in fact, they're part of a long and honorable tradition of the profession of arms. It helps!" - more interview

Monday, June 23, 2008

The Last Pagan: Julian The Apostate and the Death of the Ancient World


"Since his death on a Persian battlefield in AD 363, the violent end of the Emperor Julian (Flavius Claudius Julianus, 332-363_ has become synonymous with the death of paganism. Vilified throughout history as the `Apostate', the young philosopher-warrior was the last and arguably the most potent threat to Christianity.
The Last Pagan examines Julian's emergence as the sole survivor of a political dynasty soaked in blood. It traces his journey from an aristocratic Christian Childhood to his initiation into pagan cults and his mission to establish paganism as the dominant faith of the Roman world."

I've been interested in Julian ever since I read Michael Curtis Ford's novel "Gods and Legions". It, too, was a sympathetic portrait of the last pagan Roman emperor. So, when I was researching Adrian Murdoch's work, "The Last Roman:
Romulus Augustulus and the Decline of the West' and noticed he had also written about Julian the Apostate, I couldn't help but order it to have a look. I also got a great buy up at the David Brown Book Company - only $6.98!

I found a very interesting "Meet the Author" interview up at OxBow Books. An excerpt:

"
Constantine’s reign is usually heralded as a golden age and is celebrated as the beginning of the Christian era. The Last Pagan adopts a different approach, mourning the death of antiquity. Is this how you feel?

Very much so. The Emperor Julian has often been portrayed as an anomaly and regarded with slight embarrassment. It’s useful I think to change historical perspective. Instead of seeing Julian as the young man who came along and upset a Christian empire, he stood at the end of a line of Roman emperors.

At the same time, one of the premises with which I started the book is that while Constantine is conventionally heralded as the great hero and saviour of the empire, as a person he’s always appeared to me as a cynical and ruthless political operative. A deeply unpleasant man. It was natural, I suppose, to make Julian’s actions and values stand in contrast to those of Christian relatives.

Julian died aged only 31. Do you think that he had the qualities as a ruler to have shaped history if he had lived longer?

Arguably the largest problem for any biographer is that you have the benefit of hindsight – you know how the story ends. The challenge is to remember this and to stop seeing your subject’s fate as preordained. It’s too easy to see portents of doom wherever you look. This is especially true of Julian as all of the contemporaries tripped over themselves to editorialise his fate: his supporters painted him as a tragic hero and his opponents saw him as doomed from the moment of his apostasy.

If I’m being honest, even had Julian survived the war he might not have survived the peace. Religion has always attracted extremists, and it’s unlikely that Julian and his Christian opponents could have found any kind of middle ground. Plots to murder the emperor were uncovered before his death and so impassioned was the opposition to Julian’s religious reforms that I suspect one assassination attempt would have succeeded before too long.

The Last Pagan remembers a time when conflict over religion was rife, coming to a head on a battlefield in present-day Iraq. Did these parallels with recent events inspire you to choose Julian the Apostate as your subject?

Although I’d originally planned to draw parallels with the First Gulf War, the chapters on Julian’s invasion of Persia were written to a background of the build-up to the current conflict in Iraq. As Western governments began their build-up to what was obviously going to be an invasion last year, the parallels with Julian’s campaign made for distinctly uncomfortable writing – a foreign policy dictated by domestic necessity; support for the invasion from what is now Israel and the Gulf Arabs; debates about an illegal arms trade with Persia – swords of mass destruction if you will; a media campaign to encourage popular support for the war; even the fact that one of the most vocal opponents to the war was the administrator of Gaul. With Julian’s fate in mind (and the fact that his opponent outlasted his rule by some sixteen years) it is hard not to be discouraged about what the future holds.

Do you think that Roman paganism has any relevance for everyday life in the 21st century?

It’s more that the big questions that dominated Julian reign – the search for belief and the question of religious tolerance – are centre stage once more in the modern world. It’s easy to see similarities between Julian’s lack of comprehension of Christianity and the West’s frequent blindness to the Islamic world. It remains a historical irony that where Christianity was once the persecuted minority, it is now all-too often perceived as the aggressor.

At the same time, Julian’s search for his own faith as a young man mirrors the disillusionment and confusion that many today have with organised religion and the search for alternative forms of worship – a case in point is the startling growth in the interest in paganism over the past few years." - More

I'm not a big fan of Constantine either so I found Mr. Murdoch's comments quite interesting.

I also got "The Last Roman" since I wanted to read more about this era that essentially marked the formal end of the Roman Empire, especially after reading my friend, Boris Raymond's historical novel, "The Phoenix Circle" in which Orestes and Odovacar (Odacer) play major roles.

The Last Roman: Romulus Augustulus and the Decline of the West

“It is valid to ask whether one should attempt to write something that purports to be a biography about a character of whom we know so little. The answer has to be yes for three reasons. The first is that the drawn-out collapse of the Western empire makes it easy to forget the human aspect. All too often, historians get lost in the sweep of events, the broad brush strokes of barbarian settlements, military retrenchment and economic turmoil. Focusing on Romulus and his family gives a different and more personal perspective to the fall of the Roman Empire.

“The second reason is a growing interest – popular rather than just scholarly – in this period of late antiquity. It is an era that has always attracted poets and a smattering of novelists. The much-cited 1876 novel Der Kampf um Rom (‘The Fight for Rome’) by Felix Dahn is set in the first half of the sixth century. Despite its huge popularity, wild success and continuing availability, I must confess I fail to see its charms. Its 750 plodding pages have beaten me on several occasions. But the last few years have seen the later Roman Empire as a theme of films, books and computer games. The 2004 Antoine Fuqua-directed film King Arthur and the 2007 Doug Leffler film The Last Legion both have explicitly late Roman themes, the latter a fantasy on Romulus himself (they are both discussed in the final chapter of this book), while the latest addition to the immensely successful Rome: Total War computer game series is set around the barbarian invasions. There is increasingly a recognition among the public that this is a period in its own right.

“The third aim of the book is to make the case that 476 was important. It may seem arrogant almost to the point of lunacy to take the stand against some of late antiquity's greatest historians … [it] is not enough to argue for Romulus’ importance from the point of common usage, its canonisation, if you will. The Last Roman argues not just that something changed in AD 476, but that it was felt to have changed. The empire had been declining for decades, some would say centuries. Certainly, different Roman provinces declined at different rates. … There was no single moment. But 476 was what the sociologist and journalist Malcolm Gladwell would call a tipping point – a pivotal event after which it became impossible to return to the previous status quo. No matter how young he was, how little he affected his citizens or even how faint a historical footprint he left, Romulus Augustulus was the last Roman emperor. It was the end of autonomous Roman rule in the West. When he was forced into retirement, the baubles of imperial rule left Rome. Although Italy's new leaders continued to wear a toga for a few more years, they emerged as new types of rulers.

“The idea of decline had become so contagious by the time Romulus was placed on the throne that it had become a self-fulfilling prophecy.” - Author Adrian Murdoch

The Lost Gold of Rome: The Hunt for Alaric's Treasure


by Daniel Costa

"In AD 410, the Roman world suffered a catastrophe of unprecedented proportions when for the first time in 800 years a foreign army, led by the Visigoth King Alaric, sacked Rome and carried off its most valuable treasures. Alaric played a significant role in the dismemberment of the western Roman empire but he died before he could leave Italy. His followers buried him in a secret tomb laden with the plunder of Rome including, possibly, the sacred Temple treasures of the Jews. In The Lost Gold of Rome, Costa traces the life and death of Alaric and explores the modern quest to discover his grave."

Monday, June 16, 2008

Soldier of Rome: The Sacrovir Revolt: A Novel of the Twentieth Legion During the Rebellion of Sacrovir and Florus


"It has been three years since the wars against Arminius and the Cherusci. Gaius Silius, Legate of the Twentieth Legion, is concerned that the barbarians-though shattered by the war-may be stirring once again. He also seeks to confirm the rumors regarding Arminius' death. What Silius does not realize is that there is a new threat to the Empire, but it does not come from beyond the frontier; it is coming from within, where a disenchanted nobleman looks to sow the seeds of rebellion in Gaul.

Legionary Artorius has greatly matured during his five years in the legions. He has become stronger in mind; his body growing even more powerful. Like the rest of the Legion, he is unaware of the shadow growing well within the Empire's borders, where a disaffected nobleman seeks to betray the Emperor Tiberius. A shadow looms; one that looks to envelope the province of Gaul as well as the Rhine legions. The year is A.D. 20."

Soldier of Rome: The Legionary: A novel of the Twentieth Legion during the campaigns of Germanicus Caesar


"In the year A.D. 9, three Roman Legions under Quintilius Varus were betrayed by the Germanic war chief, Arminius, and then destroyed in the forest known as Teutoburger Wald. Six years later, Rome is finally ready to unleash Her vengeance on the barbarians. The Emperor Tiberius has sent Germanicus Caesar, his adopted son, into Germania with an army of 40,000 legionaries. They come not on a mission of conquest, but one of annihilation. With them is a young Legionary named Artorius. For him, the war is a personal vendetta—a chance to avenge his brother, who was killed in Teutoburger Wald.

In Germania, Arminius knows the Romans are coming. He realizes that the only way to fight the Romans is through deceit, cunning, and plenty of well-placed brute force. In truth, he is leery of Germanicus, knowing that he was trained to be a master of war by the Emperor himself.

The entire Roman Empire held its breath as Germanicus and Arminius faced each other in what would become the most brutal and savage campaign the world had seen in a generation; a campaign that could only end in a holocaust of fire and blood.

About the Author
James Mace has served in the U.S. military since 1993. He is a full-time soldier with the Idaho Army National Guard and a veteran of the Iraq War. He wrote numerous articles on bodybuilding and physical fitness before turning his attention to writing historical novels. He lives in Meridian, Idaho.

Sunday, June 01, 2008

Nox Dormienda: A Review


by Mary Harrsch

"The morning staggered by, still looking for a party. Saturnalia was officially over two days ago - unofficially there were still cockfights and dice throws, more wine-soaked quickies and the odor of vomit filling every alley."

Welcome to Kelli Stanley's world of Roman noir.

I have enjoyed "detectives in togas" for a number of years - particularly a late Roman Republican sleuth named Gordianus the Finder penned from the imagination of Steven Saylor. But I am not familiar with the private eyes that populate the books by Stanley's favorite author Raymond Chandler. Perhaps the closest I have come to this genre is reading James Lee Burke's Dave Robicheaux novels. Likewise, I have not shared my son's passion for noir genre films, although Bogart's Casablanca deserves its reputation as a classic. So I wasn't quite sure what to expect when Stanley sent me a copy of her book "Nox Dormienda", the first of a planned series of mystery novels featuring a crime-solving medicus in Agricola's Roman Britain promoted as a new genre, Roman noir.

For a child of the 50s and 60s raised on a diet of traditional historical epics, I found the "snappy-tough" noir-style dialogue jarring at first as I struggled to lose myself in the gritty reality of life in early Londonium. I felt like I had bought a ticket to see "Gladiator" but made a wrong turn inside the cineplex and stumbled into Tarrentino's "Pulp Fiction". But as the novel progressed and I got to know the interesting cast of characters, especially the quirky half-Roman, half-Britain medicus who could be gently caressing a puppy one minute and groping in the abdomen of a nearly eviscerated legionary the next, I succumbed to this author's efforts to conjure up a unique view of ancient Rome and began to enjoy the bumpy ride as Stanley's protagonist tugged me through Londonium's back streets, down into a mithraeum, up the back stairs of a seedy brothel, then into the provincial governor's palace where a weary Agricola, one of Domitian's most successful and honored generals, brooded over rumors of his pending dismissal as he realized his old soldier's boots may not be the best footwear to navigate the tightrope of imperial politics. I think what I enjoyed most was becoming an invisible member of the raucous household of Julius Alpinus Classicianus Favonianus (that's Arcturus to you natives or Ardur to any rheumy-eyed Trinovantean females) whose members so eagerly attempted to assist the Dominus in his investigations.

As a member of the senatorial class, Arcturus does not lead the hand-to-mouth solo existence of Lindsey Davis' Didius Falco. His extended family includes a cook, Venutius, who tries to win Arcturus over with cullinery experiments that often go awry, Draco, a hulking bodyguard with a legendary appetite who must be barely out of his teens as he's still growing out of his tunics, a steward, Brutius, who tries to keep Arcturus' adoring public at bay, Coire, a slave girl who would like to perform in the bedroom but is relegated to the examination room, and a love-struck freedman, Bilicho, who serves as assistant surgeon/gumshoe. As the story progresses, the seductive Gywnna, daughter of an aging Trinovantean auxiliary commander moves in along with her 10-year-old brother Hefin. Then, Bilicho drags home Stricta, his Egyptian girlfriend and one-time prostitute who also happens to be a witness to the murder Arcturus is attempting to solve. Add to this a faithful and much loved dog, Pyxis, her puppies, a cat, and a smattering of chickens and you definitely experience the "urbanity" of Roman life.

The only plot development that struck a sour note with me was introduction of an insane Christian legionary. Stanley seemed compelled to offer insanity as an excuse for his dichotomous behavior. Early Christians were not necessarily the pious, submissive victims of "The Robe", though. The violence of a soldier's profession would not have been viewed as incongruous with Christian teachings. This attitutde is clearly demonstrated several centuries later by the first so-called Christian emperor Constantine. Furthermore, a soldier who zealously berated his bunkmates for their embrace of other relgions of the period, like Mithrascism, would be doubtful in the inclusive polytheism of Roman culture. Acting like a near-zombie, chanting religious mantras with eyes glazed over, would have netted a man a quiet but violent fate in some back alley. The Roman army was still a well-oiled machine at this time and its members would not have tolerated such gum in the works for very long. That is not to say that there weren't any Christian legionaries. I just don't think the behavior exhibited by this character was needed to validate that portion of the plot.

Inevidentably, people who have read my review of Ruth Downie's "Medicus" will ask me how I would compare the two, since both not only feature a Roman medicus as primary protagonist but both set the stage for action in Roman Britain, albeit different time periods. Downie's Ruso is a regular army medicus recently transferred to the XX Legion in the remote port of Deva (now Chester). He is starting over after a ruinous divorce from a socialite wife that has left him almost penniless. His father has also died leaving a mountain of unpaid bills to Ruso and his brother struggling to scratch a living from a small farm in Gaul. Ruso's sense of "dignitas" drives him to not only attempt to reverse his family's financial misfortunes by writing a medical treatise, but to become a reluctant sleuth when a serial killer surfaces in the seedier part of town and no one else seems to view the lives of the unfortunate prostitute victims as worth the trouble. Ruso is a healer first and foremost and only consequentially an investigator. Arcturus, on the other hand, seems to eagerly embrace the opportunity to discover "who done it", welcoming the diversion from the humdrum of the normal practice of the governor's medicus. Both men, though, seem to be equally gifted with the healing arts.

Ruso's world is also decidedly different that than of Arcturus and, with the exception of Ruso serendipitously saving the life of the emperor Trajan in an earthquake, did not include encounters with the famous. But that is not to say that Ruso did not interact with equally intriguing characters. Downie's dilapidated military outpost teemed with vibrantly-drawn people thriving in the cauldron of a remote Roman frontier where two cultures attempted to co-exist. Arcturus' Londonium is nearly as primitive, since it is decades earlier. But, Arcturus' lineage from a native mother married to a Roman centurion provides Arcturus with an internal conflict in which his two halves attempt to co-exist in a single body. So, I would say both novels offer a unique perspective on the Roman experience in Britain and I look forward to the next installment in both of these series.

One last note - I truly appreciate the writing device Kelli Stanley uses to acquaint the reader with common latin references. Each time she uses a latin word, she places it in italics and includes it in a gloassary at the end of the book. Since I have read a number of novels and nonfiction works about the Roman Empire, I was familiar with many of the terms without looking them up. However, I welcomed the opportunity to expand my latin vocabulary. I was particularly pleased to learn that posca was a cheap alcoholic drink made from vinegar and herbs. I had to smile when I read that since it made me think of the personality of Julius Caesar's wannabe-strategist-slave, Posca, in the HBO miniseries, "Rome". I think a blend of vinegar and herbs aptly described him!

Friday, May 23, 2008

New Edition of Encyclopedia of Invasions and Conquests Now Available


"Throughout history, invasions and conquests have played a remarkable role in shaping our world and defining our boundaries, both physically and culturally.

Updated through 2006, this brand new second edition of the popular Encyclopedia of Invasions & Conquests is a comprehensive guide to over 150 invasions, conquests, battles and occupations, from the ancient times to the present. With brand new articles on the Coalition Invasion of Iraq, the Serbian Invasion of Bosnia-Herzegovina, the Soviet & UN's Invasions of Afghanistan, this text offers complete coverage of the most current invasions and those dating back to the earliest times. Plus, a brand new Historical Timeline has been added along with over 70 brand new Maps.

Categories of entries include countries, invasions and conquests, and individuals. In addition to covering the military aspects of invasions and conquests, entries cover some of the political, economic, and cultural aspects, for example, the effects of a conquest on the invading country's political and monetary system and in its language and religion. The entries on leaders -- among them Sargon, Alexander the Great, William the Conqueror, and Adolf Hitler -- deal with the people who sought to gain control, expand power, or exert religious or political influence over others through military means.

Revised and updated for this second edition, entries are arranged alphabetically within historical periods. Each chapter provides a map to help readers locate key areas and geographical features, and bibliographical references appear at the end of each entry. Other useful features include hundreds of Maps, cross-references, a cumulative bibliography and a comprehensive subject index."

Wednesday, May 14, 2008

Olympia: A Journey to Four Dimensions


"The publication "Olympia. A Journey to Four Dimensions" is a "digital album" with three-dimensional reconstructions of the most important buildings of ancient Olympia, which are presented with emphasis on historical accuracy and construction details. For the first time the site of ancient Olympia is presented in a book, as it was in its heyday, exclusively through digital pictures.

The main part of the book consists of large coloured images of the various monuments of Olympia, as well as general perspectives of the site, the birthplace of the Olympic Games. Architectural monuments and areas that no longer exist in their original form come to life through the use of computers and of three-dimensional graphics programs.

The book has been created as part of the activities of the Foundation of the Hellenic World for the Olympic Games that were organized in our country in 2004. At the same time, a series of twelve postal cards has been published with select pictures from this book. The production of digital reconstructions was done exclusively by the 3D Reconstruction and Animation Department (http://3d.fhw.gr/) of the Foundation of the Hellenic World."

Olympia: A Journey to Four Dimensions is available in Greek or English.

Friday, May 09, 2008

The Afghan Campaign - A Review


by Mary Harrsch

Stephen Pressfield has garnered laurels for his ability to describe the utter brutality of ancient warfare and his descriptions of battles fought during the campaign of Alexander the Great in Afghanistan in his novel "The Afghan Campaign" are as wrenching as those depicted in Pressfield's "Gates of Fire".

Told from the perspective of a common soldier rather than from Alexander's viewpoint or the viewpoint of one of Alexander's commanders, "The Afghan Campaign" provides the reader the opportunity to experience the grinding existence of a man struggling to maintain some shred of integrity in a hostile and intractable world.

Alexander is most often glimpsed from a distance and we are not privy to his strategic debates or daily dispatches to help us understand the "big picture" he sees in his efforts to add the tribes of the Hindu Kush to his role of conquered nations. We must, through Matteius' eyes, simply endure the relentless wind, quagmires of mud, and bitterly cold snow and sleet, as we climb and descend the deadly precipices that score the Afghan countryside in search of a foe that materializes suddenly to engage in deadly tribal rituals, counting coup and scalping or mutilating their victims, then escapes back into the mountains where, unlike the Macedonians, they appear to thrive. We feel Mattteius' frustration rise to an excruciating level as his comrades are butchered in ambushes or slain by duplicitous camp followers.

As the war wears on, he participates in retaliatory strikes where entire villages are put to the sword and torched as efforts intensify to "win" an ultimately unwinnable war. Matteius' acceptance of these measures poignantly demonstrates the ultimate result of living amidst so much brutality - the loss of one's own humanity as both sides must cultivate ruthlessness to simply survive.

Tuesday, May 06, 2008

Nox Dormienda: A Long Night for Sleeping (An Arcturus Mystery)


Saturnalia is almost over, but drunks and gamblers aren't the only denizens of Londinium knocking on the doctor's door. The winter of 836 a.u.c. (83 A.D.) is cold and bitter. The year's final exhale will be colder still.

Arcturus--the half-native, half-Roman doctor and occasional problem-solver--has seen much in his thirty-three years. He's risen--despite not playing the politics game. He is Agricola's doctor. And Agricola's friend. And Agricola is the governor of Britannia.

Now, on a frozen December afternoon, he learns the governor is in trouble. The Emperor Domitian has sent a spy to Britannia--a spy carrying papers demanding Agricola's resignation. It doesn't make Arcturus any warmer to know that the spy, a Syrian named Vibius Maecenas, is betrothed to the woman who brings him the story. The woman--Gwyna--is as unforgettable as her information.

When Arcturus sends his freedman Bilicho to follow her, he finds himself, hours later, in an underground temple, staring at a shapeless hulk on top the altar. It's the trussed, dead body of Maecenas, with a gaping hole in place of a throat.

If Arcturus doesn't find out who murdered him and why, Domitian might think the governor is responsible. The fat, dead Syrian will ignite a civil war, one hot enough to thaw the ice in frozen Britannia.

He has seven days to unravel fact from story, truth from rumor, and motive from murder. He must walk a carnival landscape of fear and uncertainty, strewn with sadistic pimps, drunken whores, well-bred politicians and four more deaths.

Nox Dormienda is a nightmare vision of Roman Britain, a lightning-paced historical mystery that blends hardboiled prose and impeccably researched historical background. It is the first novel of a new series and a new genre of mystery fiction: it is Roman Noir.

Alexander and Alestria: A Novel by Shan Sa


"Re-creating the lives of two of the most intriguing rulers in history, Shan Sa brings us a novel filled with the sound of hooves, the whistle of arrows, blood, passion, and betrayal. The familiar figure of Alexander the Great comes to new life in this richly imagined tale, which entwines his historical legacy with a fantastic love affair set in a wartime between Western and Eastern civilizations.

Abused by his father, King Philip, who loved and hated his beauty; shadowed by his mother, the mystical and overbearing Queen Olympias; educated by Aristotle who wanted him to be a wise philosopher of Macedonia, Alexander develops a complex character. He becomes a brutal warrior, a pitiless strategist, and a poet longing for the world's wonders. Meanwhile, in the remote steppes of Siberia, an abandoned girl grows up among the wild mares, then adopted by the queen of the Amazons—the tribe of female warriors who dominates a wild world of snow and volcano. As a future queen, the young girl is trained to hate men and to fight against all invaders.

In the course of his great conquest of Asia, Alexander first meets the stunning Alestria on the battlefield. Surprised to find that his adversary is a woman, he is instantly smitten by the fierce queen. Dazzled by his strength, she decides to kidnap him and make him her "wife." At last, this legendary king—renowned for his beauty and love of men—has found his equal. And at last, this indomitable young woman has found a reason to leave her tribe. Their love, deeply passionate and problematic, evolves against an exotic backdrop of warfare and political turmoil, sweeps from antique Greece to Egypt, across the ancient Iraq and Iran, unto the mysterious kingdoms of India."

Scheduled for release in June 2008.

Farewell Britannia: A Family Saga Of Roman Britain: A Family Saga of Roman Britain


Brilliant young historian Simon Young has invented a multi-generational family, part Roman, part Celtic (invaders intermarrying with natives) to tell the dramatic story of 400 years of Roman rule in Britain. Vivid historical detail is balanced by a real feel for the psychological depth of the individual stories. The narrator is writing this 'family history' in 430 AD, realising the Romans will never return. He chooses 14 of the most interesting, but not always the most admirable, of his ancestors. The big events of Roman Britain are all here: scouting for Caesar's expedition in 55 BC; the Roman invasion in 43 AD; Boudicca's revolt and the massacre of 70,000 Romans; the Pict attacks on Hadrian's Wall; the great Barbarian Conspiracy of 367; and the sudden cataclysmic departure of the legions in 410. But there are plenty of non-military episodes: spying on the Druids; a centurion dreaming of retirement with a young slave he has bought; an ambitious wife on the northern frontier; a bad poet in Londinium; infanticide in Surrey; a young Christian girl facing martyrdom in a British amphitheatre.

Monday, March 24, 2008

Worlds at War by Anthony Pagden

Excerpt of review by Dominic Sandbrook

"Almost a decade after the Ottoman sultan Mehmed II's armies had stormed the walls of Constantinople, the last relic of the Roman Empire, "the Conqueror" made a trip to the site of ancient Troy. There, on the shore where Agamemnon, Achilles and the rest had supposedly disembarked thousands of years before, he announced that Troy had at last been avenged.

A conflict deeper than rape and pillage?
A conflict deeper than rape and pillage

The heirs of the Greeks, he said, had been forced to pay "the right penalty, after a long period of years, for their injustice to us Asiatics at that time and so often in subsequent times".

The notion of the Turks as the heirs to Hector, Priam and the Trojans sounds a bit odd today, but it was not uncommon in the 15th century. One rather far-fetched Latin account of the fall of Constantinople even had Mehmed triumphantly raping a virgin in the centre of Hagia Sophia, yelling as he did so that he was avenging the Greeks' violation of Cassandra, Priam's gloomy daughter.

This theme runs through Anthony Pagden's learned, fluent and thoroughly entertaining account of what he sees as a long struggle between East and West, which takes in everything from the Persian wars to Napoleon's expedition to Egypt, T E Lawrence's rather murky adventures in Syria, and the dramatic collapse of the Shah's regime in Iran..."

"...An eminent historian at UCLA, he is clearly no friend to religion, but he is a good enough scholar to write sensitively and intelligently about the nuances of European and Asian belief from the classical period to the present.

Like other historians before him, notably the great Ernest Renan, he argues that the crucial difference between the Christian and Islamic worlds is that in the former, religion has never been allowed to govern all civil and religious life (rendering unto Caesar and all that).

But in the Islamic world, he suggests, law, politics and culture have been grounded on religious faith, and so innovation and enterprise are unavoidably stifled - as is the vigorous secular debate necessary for democracy to take root.

This is, then, a strikingly Whiggish book, a narrative of the triumph of western reason and science over oriental superstition and idolatry, with Pagden reserving special praise for the Enlightenment. Paradoxically, though, perhaps the most impressive thing about this book is that Pagden is a good enough historian to see the limits of his own thesis.

Both in Islamic Spain and during the golden age of the Abbasid caliphate, as he acknowledges, there was a genuine tolerance of humanist ideas; indeed, it was here that the classical intellectual legacy was kept alive.

And he admits, too, that Islam and modernism are not complete strangers: during the 19th century, for instance, liberal theologians such as Muhammad Abduh, the chief mufti of Egypt, tried to argue that revelation and reason were compatible after all, and that there was even room for a secular law governing marriage and divorce - although his efforts are largely forgotten today.

One obvious way in which the story could be complicated further, meanwhile, is to consider the Byzantine Empire, which, for all the sweep of Pagden's book, is largely absent. Byzantium, after all, was a pretty theocratic, militantly Christian state, and given its longevity and extraordinary artistic influence, it was much more than a footnote in European history.

At the same time, however, it was both a bulwark against Islam and an interface with it. The layout of the typical mosque, for example, is modelled on the Byzantine basilica of the Near East, while Byzantine iconoclasm - a preview of what was to happen in, say, English parish churches during the Civil War - seems to have been inspired by Islamic attitudes to images.

One of the pleasures of Pagden's splendid book, in other words, is that it is perfectly possible to enjoy and learn from it while disagreeing with its thesis."

Saturday, February 09, 2008

A Greek Army on the March: Soldiers and Survival in Xenophon's Anabasis


"Professor [John W.I.] Lee provides a social and cultural history of the Cyreans, the classical Greek mercenary soldiers depicted in Xenophon's Anabasis. While the Cyrean army has often been thought of as a single political community, Lee reveals that in fact the soldiers' lives were shaped largely by their participation in a set of smaller social communities: the formal unit organization of the lochos ('company') and the informal comradeship of the suskenia ('mess group'). Drawing on a wide array of ancient literary and archaeological evidence, along with comparative perspectives from military sociology and modern war studies, he examines the full range of the Cyreans' experience, including the environmental conditions of their campaign, ethnic and socio-economic relations amongst the soldiers, equipment and transport, marching and camping, eating and drinking, sanitation, and medical care. He also accords detailed attention to the non-combatants who accompanied the army. Anyone interested in ancient Greek warfare or in Xenophon's Anabasis will want to read this book."

Scheduled for release February 29, 2008

Monday, February 04, 2008

Odysseus Unbound now available in Greek


Publication of the Greek edition of Odysseus Unbound: The Search for Homer's Ithaca

  • Homer described Ithaca as ‘furthest west’ but where is Odysseus’ island now?
  • Latest scientific techniques are used to investigate Europe’s earliest enigma
  • New Preface and Sequel update the book with key developments since 2005
  • Website research findings now provided in Greek as well as English
  • Authors to visit Athens and Kefalonia to present the latest findings in person

Athens, January 4 2008. The award-winning best-seller Odysseus Unbound: The Search for Homer's Ithaca is now available in Greek. First published by Cambridge University Press in October 2005, the book has been updated with the latest developments from the island of Kefalonia and is published in Athens by Ekdoseis Polytropon.

Since September 2007 expert teams from FUGRO have been conducting land, sea and air-based surveys of the area with the objective of probing deep into the ground to search for a buried marine seaway. An unprecedented array of gravity, seismic, marine and helicopter-based electromagnetic techniques are being used to test the theory by performing a “whole body scan” of this 6 kilometre long, 2 kilometre wide isthmus.

The Odysseus Unbound website has been released in Greek, reporting the latest news and events from the project. A new Preface and Sequel have been added to the book, presenting the key geological and classical developments since 2005.

"Robert Bittlestone's "Odysseus Unbound" is a massive book, nearly 600 pages filled with excellent illustrations (maps, photographs, aerial photographs, satellite images) and a highly detailed narrative explaining the development of and evidence for the author's theory: that Homeric Age Ithaca, the kingdom of Odysseus, was not located on the modern island of Ithaki, but instead on the western peninsula of the nearby island of Cephalonia. The evidence presented is complex, involving literary sources, geology, and archaeology, but a critical portion of the author's argument is whether in Homeric times this western peninsula was separated from Cephalonia by a sea channel since closed up by earthquake-induced rockfalls.

Although Bittlestone is "only" an enthusiastic amateur, his research has been reviewed and backed by his professional co-authors, one a professor of Greek and Latin and the other a geologist specializing in the Ionian island area." - Bruce Trinque, Amazon.com